Heather James Fine Art

Heather James Fine Art is an American company with galleries in Palm Desert, California and Jackson Hole, Wyoming. The galleries offer exhibitions, lectures and guided tours of impressionist, modern and contemporary art. They also have two art consultancy agencies. While focusing on the latest and most cutting-edge pieces on the art scene, Heather James Fine Art have great respect for classical, antique masterpieces.

  • USA
Objects "Heather James Fine Art"

Mem Sahib

An acrylic and paper on canvas, abstract painting by Post War artist Arne Hiersoux depicted in deep reds, blues, blacks, tans and creams. "Mem Sahib" is signed and dated lower right, "Hiersoux 62." For Arne Hiersoux, American Abstract Expressionist and “Action Painter” 1938- 1983, life itself was this space. Hiersoux brought this no holds-barred spirit of creativity to bear in both his artistic and entrepreneurial pursuits. The legacy he leaves behind chronicles both the artistic and business climates of this uniquely American period. Born in West Virginia, in 1938, to a family of accomplished chamber musicians, Hiersoux learned the value of art and the discipline required of a true creative. For Arne, the complete integration of art and life meant that he committed as fully to his paintings as to his business ventures, always layering and circling back to create something new, inspiring and enduring. From the beginning, Arne was given permission to make a career in the arts. In his youth, the family made a trip to New Mexico. Arne was profoundly influenced by this landscape. The openness and endless sense of space, to him, meant unlimited possibility. The mysterious spirit of Native American’s way of life, so different from his own, captivated the young man’s soul. These influences led Arne to push the boundaries of man’s relationship to the physical and spiritual world, both in art and in business. Arne spoke occasionally of a premonition of a short life, which may have contributed to the underlying drive for his tireless energy. In a series of black and white paintings referencing Franz Kline, figures could be detected obliquely emerging through the expressionism of splashes and drips. The reference to “figures” appeared through out his work of the next few years. In 1962 at the Richmond Art Center, Arne exhibited a series of collages, using paper and acrylic on canvas. It was in show that he also began pushing the limits of size, with one painting stretching to eighteen feet. In the oil paintings shown in his one-man show at the Palace of the Legion of Honor, in 1963, the figures became more defined and appeared to be carrying a burden, or possibly forming wings. A subsequent show at Mills College, 1966, brought together his figures and their abstract worlds. At the same time the grand scale and unusual shapes of some of these works evoked questions about the relationship of the physical life of the paintings, and their environment. Hiersoux was awarded an artist in residence fellowship in 1969 for the following year at the University of Pennsylvania, Philadelphia. The University was completing construction of the impressive Annenberg School for Communications. As part of the opening Arne was invited to exhibit in the lobby his expansive and euphoric Berkeley Park paintings. These paintings, impressive in their size, reflected his newfound love of flying – using poured paint, much like Pollock or Morris Louis.Read more

  • Dealer
Fixed price
37 700 GBP

Space Forms, 1952, No. 7

An abstract pastel on paper by Post War artist Michael Loew. Space Forms, 1952, No. 7 is executed in a multitude of colors and depicts a geometric abstraction of intersecting lines. Signed lower right "Loew 52." Michael Loew (1907-1985) was one of the major proponents of Abstract Expressionism and influenced by the Neo-Plasticism of Mondrian.Despite their opposing approaches to abstraction, he became a longtime friend of Willem de Kooning, whom he met completing WPA projects during the 1930s. Although Loew began his Neo-Plasticist mode during the 1940s, it was the 1950s that brought the full development of his mature style. After World War II, Loew studied with Hans Hofmann and cultivated his sensibility for color effects. He used the grid-structure of Mondrian as a base from which to experiment with the possibilities of the palette; to focus on subtle transitions of tone or harmony of color relationships. Drawing inspiration from life, he transformed subjects into unique patterns of rectangles or color fields, naming the final composition according to the dominant colors. He exhibited these works at the Stable Gallery annuals, beginning a full and successful exhibition career. In 1957, Loew participated in the International Association of Plastic Arts Touring Exhibition, Contemporary American Painting as juror and exhibitor. Here he exhibited alongside Milton Avery, Samuel Adler, Josef Albers, de Kooning, Reinhardt, Walkowitz and others. The same year he gained representation at Zabriskie Gallery, next to Johns, Motherwell, and Rauschenberg. A recognized pillar of American Modernism, Loew maintained an active teaching and exhibition schedule until his death in 1985.Read more

  • Dealer
Fixed price
3 900 GBP

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