Brunk Auctions
Based in Asheville, North Carolina, Brunk Auctions has grown from a small regional auction house to a national auction service with an international clientele.
Founded by Robert Brunk in 1983, the auctions became well known for their integrity and professionalism. Bob brought to bear his experience as an anthropologist, writer and professional woodworker, an unmistakable combination of skills that continue to illuminate catalog entries and elucidate auction-goers. Bob is now a valued consultant and continues as auctioneer. Andrew Brunk joined his father in 2005. His curatorial experience has brought additional focus on research and connoisseurship. His experience as the head of the American furniture department at one of the world’s largest auction houses has allowed Brunk to continually align themselves with the best in the business – in terms of expertise and exceptional client service.
The auction house boasts a 26,000-foot multimedia auction gallery welcomes visitors and clients to auctions every 6-8 weeks.
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Alighieri Dante. Le terze rime... con sito, et forma de lo Inferno
Alighieri Dante. Le terze rime... con sito, et forma de lo Inferno novamente ristampito. [Venezia: Gregorio de' Gregori, 1515 circa]. In-8° (mm 160x97). Carte [246] (di 250, mancano le carte iniziali [*]1-2 con l'epistola di Andrea Torresano a Vittoria Colonna e le carte bianche H7-8). Con tre illustrazioni xilografiche nel testo di cui due a doppia pagina raffiguranti il Sito et forma della valle inferna (cc. H4v-H5r) e i peccati dei gironi infernali (cc. H5v-H6r), e una a piena pagina con i cerchi del Purgatorio (c. H6v). Restauri al frontespizio, alle prime carte e alle finali con le xilografie, gora marginale, alcune carte con tracce di polvere. Legatura ottocentesca in mezzo marocchino con punte, carta marmorizzata ai piatti, titoli in oro al dorso, tagli colorati. Abrasioni ai bordi dei piatti. Fittamente postillato lungo il testo da mano antica. Rara contraffazione dell'aldina del 1515, della quale riproduce con esattezza il formato, il carattere di stampa e il numero di carte. Il plagio si deve con molta probabilità allo stampatore forlivese Gregorio de' Gregori, attivo a Venezia e a fano tra il 1480 e il 1528, lavorando sia da solo sia in società, ora con il fratello Giovanni de' Gregori ora con Bernardino Stagnino. Batines I, 75-76; Mambelli, 25; Martini, 29-20; Brunet II, 502; Koch, 7; Sander, 2322. 8 ° (160x97 mm). [246] (of 250, wanting first leaves [*] 1-2 with the epistle of Andrea Torresano to Vittoria Colonna and blank leaves H7-8). With three woodcut vignettes in the text of which two double-page depicting the Sito et forma della valle inferna (ff. H4v-H5r), the sins of the infernal circles (ff. H5v-H6r), and a full page with the Purgatory circles (f. H6v). Restorations on the title page, the first papers and the finals with woodcuts, marginal waterstains, some papers with traces of dust. Nineteenth-century Morocco with edges, marbled paper on the covers, gilt titles on the spine, coloured edges. Fictitiously handwritten noted. A rare counterfeit of the Aldine edition of 1515, which reproduces exactly the format, the print character and the leaves number. Plagiarism is probably due to the Forlì-born printer Gregorio de' Gregori, active in Venice and in Fano between 1480 and 1528, working both alone and now with his brother Giovanni de' Gregori, now with Bernardino Stagnino. Batines I, 75-76; Mambelli, 25; Martini, 29-20; Brunet II, 502; Koch, 7; Sander, 2322. Alighieri Dante. Le terze rime... con sito, et forma de lo Inferno novamente ristampito. [Venezia: Gregorio de' Gregori, 1515 circa]. In-8° (mm 160x97). Carte [246] (di 250, mancano le carte iniziali [*]1-2 con l'epistola di Andrea Torresano a Vittoria Colonna e le carte bianche H7-8). Con tre illustrazioni xilografiche nel testo di cui due a doppia pagina raffiguranti il, Sito et forma della valle inferna, (cc. H4, v, -H5, r, ) e i peccati dei gironi infernali (cc. H5, -H6, ), e una a piena pagina con i cerchi del Purgatorio (c. H6, ). Restauri al frontespizio, alle prime carte e alle finali con le xilografie, gora marginale, alcune carte con tracce di polvere. Legatura ottocentesca in mezzo marocchino con punte, carta marmorizzata ai piatti, titoli in oro al dorso, tagli colorati. Abrasioni ai bordi dei piatti. Fittamente postillato lungo il testo da mano antica. Rara contraffazione dell'aldina del 1515, della quale riproduce con esattezza il formato, il carattere di stampa e il numero di carte. Il plagio si deve con molta probabilità allo stampatore forlivese Gregorio de' Gregori, attivo a Venezia e a fano tra il 1480 e il 1528, lavorando sia da solo sia in società, ora con il fratello Giovanni de' Gregori ora con Bernardino Stagnino. Batines I, 75-76; Mambelli, 25; Martini, 29-20; Brunet II, 502; Koch, 7; Sander, 2322. 8 ° (160x97 mm). [246] (of 250, wanting first leaves [*] 1-2 with the epistle of Andrea Torresano to Vittoria Colonna and blank leaves H7-8). With three woodcut vignettes in the text of which two double-page depicting the, (ff. H4, ), the sins of the infernal circles (ff. H5v-H6r), and a full page with the Purgatory circles (f. H6v). Restorations on the title page, the first papers and the finals with woodcuts, marginal waterstains, some papers with traces of dust. Nineteenth-century Morocco with edges, marbled paper on the covers, gilt titles on the spine, coloured edges. Fictitiously handwritten noted. A rare counterfeit of the Aldine edition of 1515, which reproduces exactly the format, the print character and the leaves number. Plagiarism is probably due to the Forlì-born printer Gregorio de' Gregori, active in Venice and in Fano between 1480 and 1528, working both alone and now with his brother Giovanni de' Gregori, now with Bernardino Stagnino. Batines I, 75-76; Mambelli, 25; Martini, 29-20; Brunet II, 502; Koch, 7; Sander, 2322Read more
United Kingdom- 12d 12h
- Low estimate
- Show bid 750 GBP
"Zlatan" - Limited Edition Poster
Alberto Ramirez (LEG), Konstnär: Alberto Ramirez, Typ: Poster, Bildstorlek: 50 x 70 cm, Tryckt på 170g Silk-papper, Tryckt av Galleri Scandinavia 2017, Alberto Ramirez är en spansk konstnär som har specialiserat sig på att måla stora porträtt på kända personer. Projektet "LEG" började redan 2005 i Barcelona som ett resultat av ett samarbete mellan Alberto och konstnärskollegan och vännen David Partida. Deras vänskap började redan vid barnsben. Bägge bodde i Salou. Turistorten där båda växte upp och någonstans i nioårsålderna träffades de och blev snabbt vänner. Under åren växte deras vänskap tills de båda flyttade till sina respektive hemstäder i sextonårsålderna. Alberto till Madrid och David till Vitoria. Det skulle dröja cirka 15 år innan de hittade varandra igen. Alberto började studera i Madrid och tog en examen i public relations på universitetet där. Han bodde senare på Mallorca där han lärde känna en lokal konstnär vid namn Juan Vich. Tillsammans med honom utvecklade han en ny stil och målade mycket landskap och "vardagliga" målningar. Han stads- och landskapsmotiv var väldigt influerade av impressionismen och resta runt mycket på öarna för att hitta objekt att avbilda. I slutet på 2003 kände Alberto sig lockad av den nya "Avanguard" konsten och flyttade till Barcelona där han började ställa ut sina verk framgångsrikt. När även David flyttade dit under 2005, valde denygamla vännerna, som båda var etablerade som konstnärer att gå ihop och skapade LEG. Deras första verk var en 9 meter lång målning på duk som hette "Las Caras" (The faces) vilket symboliserade någonting nytt och unikt. I april 2009 valde duon att gå sina egna vägar för att båda kunna utvecklas självständigt. Alberto bor numera i Berlin och fokuserar huvudsakligen på att porträttera individer i det moderna samhället och lyfta problemen med anonymitet och privatliv i den moderna världen. Galleri Scandinavia har arbetat med Alberto sedan 2005 och ställt ut honom ett flertal gånger både i Göteborg och Stockholm. Han finns representerad på ett stort antal hotell, företag och institutioner, såsom Chalmers i GöteborgRead more
Sweden- Dealer
"Strasse in Jokohama". Yokohama
Farblithographie von R. Steinbock und W. Loeillot nach Aquarellen von Eduard Hildebrandt, Berlin bei R. Wagner, um 1870, 25,5x35,5 cm, original auf Unterlagskarton montiert (44,5x54,5 cm). Im Stein signiert und bezeichnet, rückseitig ein kleines Original-Papierschild mit Bezeichnung und Verlagsangaben.Read more
Canada- Dealer
Blog posts about "Brunk Auctions"
Realised prices "Brunk Auctions "
- 56 pieces coin silver flatware:
- shell bowl serving spoons, shell salt spoons, teaspoons, knife, salts, various monograms. Brunk Auctions
- After Jan Frans van Dael
- (Flemish, 17641840)\nFloral Still Life, copied from the work held by the Muse des Beaux-Arts, Rouen, France, spurious signature lower right "Vandael", oil on fine linen, 30 x 22-5/8 in; unframed,\n\nlined with linen and paste, crackle, some cupping, some retouch primarily in background Brunk Auctions
- 19th century child's portrait
- 19th century child's portrait, portrait of young boy holding hat, hoop and stick, titled verso "Mr. Henderson…portrait painter…Slangh(?)…1856", oil on canvas, crackle, abrasion upper left, deteriorating tacking edge, European school, 19th century, 12 x 10-1/8", 19th century gilt wood and composition cove molding frame with losses to corner decoration, separations and some resurfacing Brunk Auctions
- Hepplewhite Inlaid Mahogany Bow Front Chest
- British, 19th century, figured veneers with banded inlay on French feet, 38-1/2 x 37-1/2 x 22 in. Brunk Auctions
- Silver box and frame case: oval lidded box
- Silver box and frame case: oval lidded box, silver tested .900 or better, indistinct marks on bottom, 1 x 2-1/2 x 1 in., [scratches, probably recast]; sterling and 18 kt. gold pocket frame case, maker "Wm. B. Kerr & Co.", monogram and inscribed "Floyd W. McRae Jr. Atlanta, Ga.", 2-3/4 x 2 in., [light scratches]. Brunk Auctions
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