Galerie Dutta

Established in Geneva since 1983, GALERIE DUTTA is specialised in oriental antiques related to the art of the samurai.

The gallery, headed by the specialist Sidharta Dutta, is particularly specialised in swords of Japan, in pottery and terra cotta from Korea, Japan, Thailand and Vietnam over a period of 5000 years.

The experts from GALERIE DUTTA are available anytime to estimate your Asian artworks.

Countries
  • Switzerland
Objects "Galerie Dutta"

VAJRA AND GHANTA (Dutta-10314)

-Vajra ; Dorje (foudre – diamant), Ghanta ; Drilbu (clochette) et étui. Tibet 18ème siècle. Foudre – diamant : alliages bronzeux , hauteur 19cm. Clochette : alliages bronzeux, hauteur 23,4cm. Etui en tissu. Chaque moine possède un foudre – diamant et une clochette, indispensable à la plupart des rites, conservés et transportés dans un étui. Associée dans les rituels au vajra, symbole masculin de Compassion toujours tenu dans la main droite, la clochette manipulée par la main gauche représente, quant à elle, le principe féminin et la Sagesse (prajna). Leur union permettant d’atteindre l’Eveil. C’est l’un des rares objets rituels étudiés de manière approfondie. Sa taille varie de 16 à 23 cm environ et différente catégories coexistent selon la provenance géographique ou le rituel envisagé. L’alliage du manche serait en li-mar, mêlant le cuivre en forte proportion, l’étain et le zinc, et celui du corps de la cloche en li-nag, comportant, outre ces matériaux, de l’or et de l’argent. Le son de cet instrument à la symbolique particulièrement riche est supposé évoquer celui de l’enseignement des bouddha eux-mêmes. Cette clochette est décorée, selon la tradition, de motifs d’origine indienne, comparable à ceux d’un mandala ; sa base est entourée d’une ceinture de vajra verticaux, tandis que, sur le corps de la cloche, des masques de kirtimukha crachant des guirlandes de joyaux alternent avec huit symboles bouddhiques surmontés de vajra horizontaux. Huit pétales de lotus ornent l’épaule et contiennent des syllabes-germes (bija) en écriture lantsa, rappelant les premières syllabes des noms sanskrits des huit déesses secondaires assistant Prajnâpâramitâ, déesse de la Sagesse parfaite. La tête de celle-ci est posée au-dessus d’un vase sur le manche en cuivre doré dont le sommet est formé d’un demi-vajra. Ainsi que leur décor l’indique, les deux instruments forment une paire qui dut appartenir à un lama de haut rang. Price on requestRead more

  • CHESwitzerland
  • Dealer
Fixed price

ENSEMBLE OF FIVE JARES (Dutta-10226)

ENSEMBLE OF FIVE JARS Period: Giao-Chi, Vietnam, 1st - 2nd century. Diameter: 23cm Origin: Thanh Hoa, North Vietnam Four jars are affixed to one another and carry in their centre the fifth, smallest jar. The brown ceramic, kiln-fired at a high yet stable temperature, is indicative of technical mastery. Historical events being sympathetic to the evolution of ceramics in Vietnam, this piece can be dated to the Giao-Chi period. However, this type of object is well-known in China and is rooted in the earlier Han works, drawing from a style which dominated for more than two hundred years. It originated in Hunan, a province situated to the south of China’s “central” zone, and bordering on the province of Guangdong (and, among others, Canton and the isle of Hainan.) This was the final frontier with Vietnam, having belonged to them before the Chinese occupation in the 1st century BC., and of their approach to this creation is considered by William Watson (Pre-Tang Ceramics of China, Chinese Pottery from 4000 BC to 600 AD, 1991) to have been a masterpiece of the ceramic art. Watson described the form of the piece thus: “A noteworthy type specific to Hunan which was probably destined for funeral rites: an ensemble of five globe-shaped bowls attached to one-another, a triumph of finely-modelled form and mastership of the kiln.” (Retranslated from a French rendition of the text.) Page 107 and illustration no.80. For a similar example but on a larger scale, refer to the piece in the Asian Art Museum of San Francisco, from the collection of Avery Brundage, and dated to the 1st century BC, that’s to say, to the Han predecessors. Finally, one should bear in mind the fact that the history of Vietnam regarding its relations with China in the 3rd century BC to the 1st century AD is relatively unknown. We know that China had subjugated Vietnam in the 3rd century BC, but without integrating it into the empire before the 1st century AD. Excavations in North Vietnam have not revealed anything older than the 1st century, although the presence on Vietnamese soil of Chinese objects, or Chinese-inspired objects, of some greater date cannot be ruled out. Our ensemble of fused jars can serve as an example, and it is regrettable that we cannot give precise information regarding their discovery. price chf 1'300.-Read more

  • CHESwitzerland
  • Dealer
Fixed price

Blog posts about "Galerie Dutta"

Realised prices "Galerie Dutta "

Find address and telephone number to Galerie Dutta

Advert