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Bringing It All Back Home
Bringing It All Back Home

Bringing It All Back Home

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Fixed Price
1,325 GBP

About the object

From vast, enraptured concert calls to intimate recording sessions, his 1964–5 portfolio captures the breakthrough period in Dylan’s career and a seminal moment in music history. This signed and limited Art Edition presents the most evocative shots from Kramer’s Dylan collection with the accompanying signed print, Bob Dylan, Columbia Records, Studio A, 1965, an extraordinary insider view of the Bringing It All Back Home recording sessions. Art Edition (No. 101–200), signed by Daniel Kramer, with the numbered and signed print Bob Dylan, Columbia Records, Studio A (1965). From vast, enraptured concert calls to intimate recording sessions, his 1964–5 portfolio captures the breakthrough period in Dylan’s career and a seminal moment in music history. This signed and limited Art Edition presents the most evocative shots from Kramer’s Dylan collection with the accompanying signed print, Bob Dylan, Columbia Records, Studio A, 1965, an extraordinary insider view of the Bringing It All Back Home recording sessions. Art Edition (No. 101–200), signed by Daniel Kramer, with the numbered and signed print Bob Dylan, Columbia Records, Studio A (1965). breakthrough period in Dylan’s career, and a seminal moment in music history, signed and limited Art Edition, Bob Dylan, Columbia Records, Studio A, extraordinary insider view of the Bringing It All Back Home recording sessions, Bringing It All Back Home, Art Edition (No. 101–200), signed by Daniel Kramer, with the numbered and signed print Bob Dylan, Columbia Records, Studio A (1965). Bob Dylan, Columbia Records, Studio A, When photographer Daniel Kramer first met Bob Dylan, the young singer was still largely unknown. At their initial meeting in Woodstock, Dylan seemed restless and uncomfortable in front of the camera. Yet over the course of a year and a day, all of that would change. From vast, enraptured concert halls to intimate recording sessions, Kramer watched and photographed as a young folk singer transformed into the poet laureate of a generation. This Art Edition presents nearly 200 images from Kramer’s remarkable 1964–65 Dylan portfolio with the accompanying numbered and signed archival black-and-white fiber-based gelatin silver print, Bob Dylan, Columbia Records, Studio A, 1965, offering an extraordinary, insider view of the Bringing It All Back Home recording sessions. When Kramer arrived at Columbia Records on January 13, 1965, he had no idea what to expect. This was his first time at a recording session with Bob Dylan. The energy in the room was tangible. Dylan dominated the space, moving from musician to musician, playing with an improvisational fervor. When Kramer heard “Maggie’s Farm” blast through the speakers, he knew “the music had changed.” For him, it was not at the Newport Folk Festival, and not at Forest Hills, but right here in this room that Dylan went electric. He shot for three days throughout the Bringing It All Back Home sessions, including “Mr. Tambourine Man,” “It’s Alright, Ma (I’m Only Bleeding),” and “Subterranean Homesick Blues,” and came away with an iconic image of Dylan, and musical history. Art Edition of 100 copies (No. 101–200), each signed by Daniel Kramer, with the numbered and signed print Bob Dylan: Columbia Records, Studio A (1965). Also available as a second Art Edition (No. 1–100) with the signed print Bob Dylan with Dark Glasses, NYC (1964), and as a signed Collector’s Edition (No. 201–1,765). Daniel Kramer, Bob Dylan, young folk singer transformed into the poet laureate of a generation, Art Edition, remarkable 1964–65 Dylan portfolio, extraordinary, insider view of the Bringing It All Back Home recording sessions, energy in the room was tangible, right here in this room that Dylan went electric, “Mr. Tambourine Man,” “It’s Alright, Ma (I’m Only Bleeding),”, Mr. Tambourine Man, It’s Alright, Ma (I’m Only Bleeding), “Subterranean Homesick Blues,”, “Subterranean Homesick Blues,”, Art Edition of 100 copies (No. 101–200), each signed by Daniel Kramer, with the numbered and signed print Bob Dylan: Columbia Records, Studio A (1965). Also available as a second Art Edition (No. 1–100) with the signed print Bob Dylan with Dark Glasses, NYC (1964), and as a signed Collector’s Edition (No. 201–1,765). Bob Dylan: Columbia Records, Studio A, . Bob Dylan with Dark Glasses, NYC
Dealer
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Fixed Price
1,325 GBP

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