Born in Islington, in 1938,  Ward attended the Camberwell School of Arts & Crafts from 1966 to 1970. During the 1970s he had two workshops in South East London, one in Anerley and the other in Charlton, before he moved to Dyfed, Wales, in 1979. Ward's hand-built pots have earned him a place as one of Britain's greatest potters.

To create his works, Ward sometimes altered at his pieces during the  leather-hard stage, by cutting and rejoining to create ridges and grooves between curving surfaces. To create the matt finish, the pieces are scrapped and burnished with a pebble. Finally, Ward only uses matt glazes, with most of his pots twice-fired in an electric kiln. Ancient pre-glaze pottery is clearly a heavy influence on Ward's work, inspired by the ancient pottery art of China and Egypt, early Cypriot pottery and early Persian bowls.

''There is something compelling about the making of pots, regardless of function, which keeps me within the particular sphere; they are the focus of some many interests and associations.'' - John Ward

Modern influences on his work include Hans Coper and Dame Lucie Rie, both of whose work will feature in Maak's auction taking place from 15th to 18th May at ROA Gallery on the Pall Mall. Today, as Maak's 2016 auction results suggest, Ward is extremely popular with collectors with some of his pieces currently in the V&A collections. No less than seven pieces by Ward will be featured in Maak's auction.

Nearly 300 works of British and International studio ceramics will be featured in Maak's auction taking place from 15th to 18th May, 2017, with estimates from £300 to £10 000. Lucie Rie, Edmund De Waal, Hans Coper, Elizabeth Fritsch, Gordon Baldwin, Bernard Leach, Hamada Shoji and more will all be featured. Check out the full catalogue here.