Pablo Picasso (1881-1973) (after) Femme Nue, 11.8.69, no. VI Lithograph, 1969, on Arches paper, with the Mourlot printed stamp verso, printed by Mourlot, Paris, 395 x 500 mm (15 1/2 x 19 1/2in) (unframed), Pablo Picasso (1881-1973) (after), Femme Nue, 11.8.69, no. VI, Lithograph, 1969, on Arches paper, with the Mourlot printed stamp verso, printed by Mourlot, Paris, 395 x 500 mm (15 1/2 x 19 1/2in) (unframed)
English School, 19th Century, Peninsular War scene with an Officer, probably a member of the Dumaresq family, on a grey charger, and a soldier with a pack donkey in a mountainous landscape, watercolour, 31 x 48 cm. Provenance: The Dumaresq family and by descent
Medium: Set of 3 offset lithograph printed in colors on 300gsm Consort Royal paper Dimensions: 90 x 70 cm (35.1 x 27.3 in) each Edition: Edition of 120 + 20 AP Signed: Stamped with artist ink stamp and numbered on verso the U.S.A
Taxidermy: A Cased Chub (Squalius cephalus), by John Cooper & Sons, 28 Radnor Street, St Luke's, London, EC, preserved and mounted in a naturalistic setting amidst reeds and grasses, set above a pebbled river bed, mounted against a pale blue/green back drop, enclosed within a typical ebonised bow-fronted three-glass display case with verre eglomise border, 66.5cm by 15.5cm by 34.5cm, taxidermist's full paper trade label to interior upper left, bearing applied gilt legend - "Chub 3lbs 4ozs. Caugh
Portrait of Joe Davis. A well executed oil on canvas portrait of Joe Davis, demonstrating the Masse shot. The painting is signed and dated by the artist, ‘James Proudfoot, 1961’. The reverse of the canvas is inscribed by hand ‘Joe Davis, the Masse shot, James Proudfoot, 15 Trafalgar Studios, SW3’. The stretcher and canvas are both stamped ‘Prepared by C. Roberson & Co Ltd. 71, Parkway, London, NW1’.
In the manner of Maurice Utrillo (1883-1955) French, In the manner of Maurice Utrillo (1883-1955) French 'Le Lapin Agile Sous La Neige', undated, circa 1930s-40s, signed lower right 'Maurice, Utrillo, V', oil on cardboard, the reverse with numbers in red '6-452', within a wooden frame with House of Heydenryck's label and record numbers '644-81', 37 cm x 45 cm. Provenance: found in the contents of a New York storage unit, amongst other interesting works. The serial numbers to the back of the fra
The rather large and early English school oil on oak panel depicting a bearded gentleman or nobleman in typical period attire, head and shoulders wearing a fur-trimmed cloak and crested gold signet ring, his fixed gaze stern and authoritative, the work in as found order, with a fragmented inscription upper left, and surviving from seventeenth century England.
This oil on canvas shows the wounded Nelson on his quarterdeck supported in the arms of an officer and two sailors whilst the battle rages around them. Captain Thomas Masterman Hardy brings news of the Battle of Trafalgar, pointing his sword at the stern of a surrendering French ship. In the foreground two gunners continue their bombardment, crouching beside the Admiral’s discarded hat and sword. English, 1805. This vivid image might be considered the earliest artistic reaction to the death of N
'Sorrowing Sighs': Described by UNESCO as “the jewel of Muslim art in India and one of the universally admired masterpieces of the world’s heritage”, the Taj Mahal took 22 years and 22,000 people to complete. In 1631, the Mughal Emperor, Shah Jahan, was devastated by the death of his wife, Mumtaz Mahal, and the Taj Mahal was built as a symbol of true love and a final resting place for his beloved wife. So exquisite was the workmanship that he declared; ‘…The sight of this mansion creates sorrowi
David Hockney (b.1937) (after) A poster for Hockney Paints the Stage Offset lithographic poster printed in colours, 1983, on glossy wove paper, published by Walker Art Centre, Minneapolis, on the occasion of the artist's exhibition, the full sheet printed to the edges, 664 x 686mm (34 x 27in) (unframed), David Hockney (b.1937) (after), A poster for Hockney Paints the Stage, Offset lithographic poster printed in colours, 1983, on glossy wove paper, published by Walker Art Centre, Minneapolis, on
Artline Cards Dame Clubs Unframed Playful And Quirky The Cards Art Line Is An Enlarged Version Of Vintage Playing Cards Originating From Late 19th Century Germany Featuring Classic French Suits Of Hearts Diamonds Clubs And Spades The German Design Is Printed With K For König (King) D For Dame (Queen) And B For Bube (Jack) 914 × 01 × 1219cm RRP £485
Literature K72205 THE BEAD DANCERS ANNE GRAHAM Born India 1925 Signed & dated ‘74 Enamel paints and shellac on Gold foil paper on board Image size 26 ½ x 35 ½ inches Framed size 36 x 45 inches Anne Graham was born to British parents in India. She was educated back in Britain where she became a designer and muralist artist. She travelled extensively; wrote and published novels and travel logs. Anne kept up her strong links with India which is the inspiration for much of her work. She was an extre
Stuart Brisley (b.1933) Untitled Letterpress, 1994, signed, dated and numbered from the edition of 50 in pencil, on wove paper, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, with full margins, 610 x 470mm (24 x 22 1/2in) (unframed), Stuart Brisley (b.1933), Untitled, Letterpress, 1994, signed, dated and numbered from the edition of 50 in pencil, on wove paper, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, with full margins, 61
Literature 7833P THE GRAND CANAL, VENICE FRANCIS MOLTINO 1818 -1872 Oil on canvas 24 ¼ x 36 ¼ inches Framed size 31 ½ x 43 ½ inches Francis Moltino (1818–1874) was an Italian painter, who lived in London. He specialized in landscapes and coastal scenes around the Isle of Wight and the Thames, during the early part of his career. He went on to exhibit 30 works in London, 8 at the Royal Academy, 13 at the British Institute and 9 at Suffolk Street. His later work is in the style of Turner and his s
The aquatint and etching with hand-colouring published in August 1813 by Richard Parkes Bonington, of Nottingham and printed by Thomas Cartwright, depicting Nottingham market place bustling with figures, horses and carriages; with shop fronts on either side and in the centre, the work surviving from Regency period England and later mounted and glazed in an ebonised and gilt frame.
Henry Moore (1898-1986) Three Motives (Cramer 157) Etching, 1970, signed and numbered from the edition of 200 in pencil, on BFK Rives wove paper, published by Cercle Graphique Européen, Utrecht, with their blindstamp, with full margins, plate 305 x 240mm (12 x 9 1/2in) (framed), Henry Moore (1898-1986), Three Motives (Cramer 157), Etching, 1970, signed and numbered from the edition of 200 in pencil, on BFK Rives wove paper, published by Cercle Graphique Européen, Utrecht, with their blindstamp,
§ † Sherree Valentine Daines (British, b. 1959), 'The New Green Net', signed, paint on board, 28cm x 18cm. Please note that VAT on top of the hammer price is additionally payable on this lot at the current rate of 20%. Please note that artists re ...
Stefan Hirsig (b.1966) Fahrenkamp's Raster Etching, 1995, signed, dated and numbered from the edition of 50 in pencil, on Rives paper, from the Stutz Mappe portfolio, sheet 510 x 380mm (20 x 15in) (unframed), Stefan Hirsig (b.1966), Fahrenkamp's Raster, Etching, 1995, signed, dated and numbered from the edition of 50 in pencil, on Rives paper, from the Stutz Mappe portfolio, sheet 510 x 380mm (20 x 15in) (unframed)
The unfinished head and shoulders portrait of a young and beautiful British girl, with an amicable disposition, with dark hair and rose-tinted cheeks, the whole on a moody earthy ground, painted in oils on canvas and remaining unframed and surviving from the latter half of the nineteenth century.
Andalucia (Southern Spain). Artists response to visiting southern Spain. Creating the experience of the music and decorative colours of the area. Oil on Canvas. Contemporary Oil Painting Abstract Abstract Abstract Affordable Art Featured Artist. Phillip Alder
A powerful image of Harlequins; they sit in security knowing that behind the turbulence of the world surges all around them. This latest form of the Harlequin from Berlin is vibrant and intimate. Art should enchant; and Fire Birds is successful in every sense of the word. Contemporary Oil Painting Figurative Other Interior Design Sax Berlin Collection