Hi, This lot is an 1898 Wisden Paperback with facsimile spine and covers In Very Good Condition. The facsimile covers are excellent. The book is 100% original other than the spine and covers the pahe block has a little wear but other than that, internally it is very clean and very square. A super book. Great photoplate and tissue paper too.
Julian Opie (b.1958) Woman taking off man's shirt (Cristea p.244) Screenprint in colours, 2003, from the edition of an unknown size, on wove paper, published by K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) (unframed), Julian Opie (b.1958), Woman taking off man's shirt (Cristea p.244), Screenprint in colours, 2003, from the edition of an unknown size, on wove paper, published by K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, with
Tuned into Tree - we often talk of the language of plants and this interpretation by Susan Bleakley is a playful juxtaposition of ancient lyrical music and 21st Century technology. The young girl weaves her music through the branches of the tree, which responds with gently swaying blossom. Oil on canvas, the gold is finished in acrylic. Contemporary Oil Painting Figurative Outsider/Pop Art Figurative Abstract Interior Design Contemporary British Gallery Favourites
Keith Haring (1958-1990) Montreux 1983 (Prestel 9) Screenprint in colours, 1983, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 700 x 1000mm (27 1/2 x 39 3/8in) (unframed), Keith Haring (1958-1990), Montreux 1983 (Prestel 9), Screenprint in colours, 1983, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 700 x 1000mm (27 1/2 x 39 3/8in) (unframed)
A 1920s Art Deco sketch drawing, A 1920s Art Deco sketch drawing probably French, composed with various geometrical shapes in which are depicted semi nude posing women, some painted, signed upper right 'E.M.Cuff.' and dated '6.1.25', pencil and watercolour on paper, within a glazed frame, 55 cm x 37 cm
Ryan Callanan (RYCA) (b.1981) Marty McDouble Giclée and screenprint in colours, 2015, signed and numbered from the edition of 40 in pencil, on wove paper, the full sheet printed to the edges, 760 x 760mm (30 x 30in) (framed), Ryan Callanan (RYCA) (b.1981), Marty McDouble, Giclée and screenprint in colours, 2015, signed and numbered from the edition of 40 in pencil, on wove paper, the full sheet printed to the edges, 760 x 760mm (30 x 30in) (framed)
Claude Rowbotham, 'Friars Crag, Derwentwater'; 'Elterwater and the Langdale Pikes', a pair, each signed in pencil, colour engraving, pl.15.5 x 21cm; together with Percival Gaskell, 'The Chalk Pit on the Downs', signed in pencil, aquatint, pl.19.5 x 26cm.
A superb pair of shooting paintings by John Morris. The paintings depict the three same setters in each picture. The three dogs are in a Highland setting after a shoot with the days catch of game birds. Framed in modern gilt frames with each painting signed John Morris in the bottom left-hand corner. Oil on canvas. C. 1870 John Morris is a British Victorian painter.
Outside interests: powerful imagery in the shape of a depiction of the art of ‘Downhill’, one of anticipation, balance and flexibility. A formation of eight skiers is captured perfectly, silhouetted against a blanket of snow. The Alpine village of Villars-sur-Ollon is a highly developed mountain resort in the Swiss Alps (in the words of intrepid pioneer traveller Lord Fortescue, ‘wild romantic beauties’). Ideal topography and climatic conditions make Villars a select resort in both summer and wi
Understanding leads to freedom" Oil and gold leaf varnish finish on arched paper. Matted Image 13.5" x 10" Matted 18" x 14" Initialed and dated '95 20th Century Oil Painting Mixed Media Figurative Outsider/Pop Art Figurative Affordable Art
Arpad Szenes (1897-1985) Untitled Etching with aquatint printed in colours, 1976, signed and inscribed from the edition of 45 in pencil, an artist's proof aside from the edition of 100, on wove paper, printed by Ateliers Georges Visat, Ateliers Lacourière et Fréaulat and Ateliers Crommelynck, published by Georges Visat, Paris, with full margins, plate 277 x 128mm (10 3/4 x 5in) (unframed), Arpad Szenes (1897-1985), Untitled, Etching with aquatint printed in colours, 1976, signed and inscribed fr
Taffiti Graffiti Statement: This is the first in a series of six works inspired by my love of Graffiti as an art form and my interest in the decline and revival of the Welsh language. It is a little known fact that Welsh been spoken for longer than any other language in Europe. Size: h 60 x w 110cm Technique: Improvisational cut and fused wall quilt using digitally printed heat transfer wording. Welsh wording, representing the colours used in the quilt i.e., coch = red, glas = blue , etc. Machin
Circa 1926. Very good condition with no wrapper. Beige paper boards with green titles. Green cloth spine. Pictorial onlay to front board. 12 poems with accompanying tipped-in colour plate and music by Linnell. Bumping and wear to spine and corners. Marks to covers. Foxing to endpapers, outer page edges and some page margins. All plates present. Plates in excellent condition! Packaged with care and promptly dispatched!