Alberto Korda (1928–2001) - Estreno de la película Castro...

lot/alberto korda 1928 2001 estreno de la pelicula castro bMJ5iy2 633373406 / Price history

lot/alberto korda 1928 2001 estreno de la pelicula castro bMJ5iy2 633373406

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lot/alberto korda 1928 2001 estreno de la pelicula castro bMJ5iy2 633373406

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Alberto Korda (1928–2001) - Estreno de la película Castro...

Extraordinary Auction: "Alberto Korda, personal archive". Original photographs from Alberto Korda's personal archive, certified by his sole universal heiress, Diana Díaz López. * Note about this particular photograph: * Premiere of the film Castro el Rebelde in New York cinemas, 1959 + COA. * This photograph bears the photographer's dry seal + COA. It is important to know that copies made after this period lost much of their quality because the negatives deteriorated over the years and stains appeared that made it impossible to reproduce the same quality and tonal intensity as the ones we offer. An unprecedented proposition of historical, artistic and documentary value In the world of art and documentary photography, there are moments that mark a before and after. This auction represents one of them. For the first time, the public is offered an exclusive selection of original photographs from Alberto Korda's personal archive, the renowned Cuban photographer whose work not only defined visually the Cuban Revolution, but also became an icon of twentieth-century history. Beyond his renowned authorship of the mythical portrait of Ernesto “Che” Guevara —an image that has transcended across cultures as a symbol of rebellion, dignity and idealism—, becoming the most reproduced image in human history. Korda was an artist deeply committed to his time, a sensitive observer of his surroundings and a visual chronicler of an unprecedented political, social and human process. The works presented in this auction are not mere reproductions or copies without a defined origin: they come directly from the artist's personal archive, and represent a unique and unrepeatable opportunity to acquire pieces with a degree of authenticity and traceability almost impossible to find today in the international market. You can observe in the blacks of the photographs the extreme image quality directly from the negative, rarely can this level of quality be achieved in later copies. Guaranteed authenticity: The priceless value of the certificate signed by Diana Díaz. The element that definitively distinguishes this collection is that each photograph is delivered with an authenticity certificate issued and personally signed by Diana Díaz, THE sole legally recognized universal heiress of Alberto Korda's legacy, by her father and the only person authorized to issue certificates of the work in the world. This detail, far from being a simple documentary formality, constitutes an absolute guarantee of origin, legitimacy and authenticity of the work. In the world of collecting, provenance is a determining factor, and having the direct backing of the person legally and by inheritance authorized to validate Korda's work adds tangible and immeasurably valuable value. Diana Díaz has been, for decades, the caretaker of her father's personal archive, and her role as guardian of that legacy has been acknowledged both in Cuba and internationally. No other person in the world has the legal authority to issue authenticity certificates for Alberto Korda's works. Therefore, acquiring a photograph with her certifying signature is to secure a direct and legitimate link to the author, his original archive and his family history. In the art market, this legitimacy is more than a guarantee: it is a safe investment, an exclusivity seal and protection against the proliferation of counterfeit copies or unverified prints that circulate without backing. A living legacy: Art, revolution and humanity. The photographs available in this auction reflect different facets of Korda's gaze: from intimate portraits of Fidel Castro and Che Guevara, to spontaneous scenes of the Cuban people, revolutionary women, children in schools, workers, parades and moments of deep social symbolism. Each image encapsulates the energy of an era and the sensibility of an artist who knew how to portray not only the leaders but also the soul of the people. The beauty of his work lies in the ability to capture emotion, the minimal gesture and human dignity, even in complex contexts. His humanitarian, humanist style continues to be studied in art and photography schools for its aesthetic precision and its narrative charge. Korda was not a mere witness to history. He was its visual interpreter, its poet in black and white. And his personal archive — zealously guarded until today — represents an artistic and documentary reservoir of tremendous historical value. An exclusive opportunity for collectors and institutions This event is not only relevant for private collectors, but also for cultural institutions, museums, archives, foundations and universities looking to incorporate into their collections a piece of contemporary history signed by one of its visual protagonists. The combination of: • Direct provenance from the author's archive. • The personal and legal certification of Diana Díaz. • The image quality, aesthetic and historical value of each photograph. Turns these pieces into collection elements of the highest cultural and economic value, whose prestige and price will only increase over time. This is not just art. It is living history. Biography of ALBERTO KORDA (1928-2001). Alberto Korda: The eye of the Cuban Revolution. The beginnings: From fashion to revolution Born as Alberto Díaz Gutiérrez in Havana, Cuba, on September 14, 1928, Korda began his career in commercial and fashion photography. During the 1950s, he founded a studio with a partner, where they specialized in portraits of celebrities, models and advertising. His talent for framing, light and composition already stood out at this early stage, and his images revealed an aesthetic sensitivity that he would later apply to a very different context. However, his fate changed radically from 1959, with the triumph of the Revolution led by Fidel Castro. Fascinated by the energy and idealism of the new political process, Korda devoted himself to documenting social change from within, becoming the official photographer for the newspaper Revolución. His close proximity to the revolutionary leaders gave him privileged access to intimate scenes, historic speeches, diplomatic journeys and everyday moments of revolutionary life. A visual testimony of the Revolution Korda was an exceptional witness to some of the most emblematic moments in Cuba's contemporary history. Over more than a decade, he captured in black and white Fidel Castro, Che Guevara, Camilo Cienfuegos, Raúl Castro and a diversity of actors in the revolutionary process, as well as the Cuban people in their daily life: peasants, workers, children and women who embodied the ideals of social justice, literacy and sovereignty. His work is characterized by an intense emotional charge and a capacity to find beauty and humanity in any scene. Korda stated that his photography was “of spirit, not technique,” and that authenticity is felt in each of his compositions. His style is marked by the use of natural light, close framing and a deeply humanist gaze. The immortal image: Guerrillero Heroico On March 5, 1960, during the funeral for the victims of the La Coubre ship explosion in Havana, Korda took what would become the most iconic photograph of the twentieth century: Ernesto “Che” Guevara's portrait, later titled Guerrillero Heroico. With a grave expression, a steadfast gaze and wind-swept hair, Che appears as a symbol of rebellion and determination. Curiously, the image was not published by Revolución the following day, and Korda kept it as part of his personal archive. Years later, the photograph was reproduced and widely disseminated, becoming a global symbol of resistance, idealism and struggle against oppression. It was adopted by social movements around the world, from May of 1968 in France to civil rights campaigns. Despite the image's popularity, Korda never charged rights for its use — except when it was used for commercial purposes, such as in a vodka advertising campaign, which led Korda to sue and win the case, donating the proceeds to Cuban public health. Beyond Che: An invaluable archive Although Guerrillero Heroico grabbed the headlines, Korda's work is vast and goes far beyond that image. His archive includes: • Close portraits of Fidel Castro, in moments of concentration, relaxation or leadership. • Scenes of the Cuban people, particularly women and children, highlighting dignity, hope and everyday beauty. • Documentation of international missions, such as trips to the USSR and Africa, showing the Revolution's diplomatic projection. • Symbolic images, such as the miliciana, the girl with the stick doll, David and Goliath, where the contrast between violence and poetry creates a deeply moving effect. Korda considered one of his most important series to be dedicated to Cuban women, whom he portrayed as active protagonists of the revolutionary process. With these images, he helped challenge traditional gender roles and celebrate female strength. Legacy and international recognition Alberto Korda died in Paris in 2001 while attending an exhibition of his work. His legacy, however, has continued to grow, with exhibitions in museums and galleries around the world. His archive has been the subject of numerous publications and catalogs, and his works are part of private and public collections of the highest prestige in the world. Korda is regarded as one of the most influential documentary photographers of the twentieth century, and his work has value not only artistic but also historical, political and cultural. Note: Some descriptions are accompanied by illustrations from books about this image; the books shown are not included with the photograph for sale. The illustrative portraits of photographer Alberto Korda are also not included in the sale nor other illustrative photographs. Some photographs on the back of the image bear mounting marks from being exhibited in a Paris exhibition, but they do not damage the front image at all. Important: The photographs will be shipped well protected so they arrive to their recipient in perfect condition.

Estimate:£844.83

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