École italienne (XVIIIe-XIXe siècle) - Le Transport du Christ au tombeau

lot/ecole italienne xviiie xixe siecle le transport du christ au tombeau S9MDB6L 633206069 / For sale

lot/ecole italienne xviiie xixe siecle le transport du christ au tombeau S9MDB6L 633206069

For saleAuction results

lot/ecole italienne xviiie xixe siecle le transport du christ au tombeau S9MDB6L 633206069

For saleAuction results

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École italienne (XVIIIe-XIXe siècle) - Le Transport du Christ au tombeau

The Transport of Christ to the Tomb Oil on panel. Estimated period: late 18th century – first half of the 19th century Interesting ancient religious painting executed in oil on panel, representing the transport of Christ's body after the Crucifixion, an episode closely related to the Deposition and Burial of Christ. The scene develops through a vertical composition of marked devotional character. In the foreground appears Christ's inert body, partially covered by the shroud and carefully carried by several figures. Christ's figure constitutes the main luminous focal point of the composition: the clarity of the flesh tones contrasts strongly with the dark background and immediately directs the viewer's gaze to the central episode. Behind him appears the Virgin Mary, covered by a wide blue mantle with hands clasped in prayer and contemplation. On both sides are arranged the remaining characters, traditionally related to the transport and burial of Christ, among them figures that can be identified within the iconographic scope of Joseph of Arimathea and Nicodemus. Especially interesting is the treatment of the elderly man who holds the upper part of Christ's body, characterized by a gray beard, turban and a wide reddish mantle. In chromatic opposition, the figure on the left is dressed in green. The blues, greens, ochres and reds of the garments stand out against a deliberately dark background, intensifying the solemn character of the representation. Style and chronology The work presents a deliberately archaizing language, inspired by models of Italian Renaissance religious painting and by the later tradition. The defined drawing, the serenity of the expressions, the orderly arrangement of the figures and the absence of overly Baroque drama bring the composition closer to a classical and devotional sensibility. According to its stylistic characteristics and materials, we consider it reasonable to place it between late 18th and the first half of the 19th century, probably around the early decades of the Nineteenth century. However, since it is an old work with no known historical documentation and executed following earlier pictorial models, the dating should be understood as a historical-artistic estimate, open to a hands-on technical study that could precisely determine its chronology. The painting may be related to the sphere of European religious painting of Italian tradition, although we currently lack sufficient elements to securely establish a concrete center of production. Therefore, it is more prudent to present it as European School, probably Italian, rather than make a definitive geographic attribution. A particularly singular format One of the most attractive aspects of the piece is its distinctive ogival termination, conceived as a small altarpiece or altar painting. The pointed arch gives the entire work a strong architectural presence and reinforces its religious character. This type of format consciously revives solutions typical of ancient altarpieces and European devotional painting, contributing to the archaizing character of the work. The painting is executed on panel, whose reverse remains visible. The wooden construction, its joints, irregularities, signs of use and patina are especially interesting elements for understanding the material antiquity of the set. The pictorial surface shows craquelure, wear, small losses and various signs of the passage of time. These circumstances are consistent with the age attributed to the piece and can be observed in detail in the photographs. The work retains its ogival wooden frame, likewise with important signs of antiquity, wear, small losses and old interventions. The photographs are an integral part of the description and allow detailed assessment of both the painting's condition and the support and frame. The frame is included gratis as a gift, not attributing commercial value to it. Due to its age and condition, any damage suffered by the frame during transport cannot be grounds for a claim. The work will be carefully packed using materials suitable to ensure maximum protection during transport. IMPORTANT: shipments to islands, overseas territories or destinations requiring customs clearance may incur additional transport, handling and/or customs costs, which will be borne by the buyer.

Estimate:£424.12

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