École postimpressionniste française (XX) - Paysage à Rochefort-du-Gard

lot/ecole postimpressionniste francaise xx paysage a rochefort du gard LBxTiwg 633201768 / For sale

lot/ecole postimpressionniste francaise xx paysage a rochefort du gard LBxTiwg 633201768

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lot/ecole postimpressionniste francaise xx paysage a rochefort du gard LBxTiwg 633201768

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École postimpressionniste française (XX) - Paysage à Rochefort-du-Gard

Rochefort-du-Gard Interesting view of the French school of the 20th century, dated May 1962, depicting a view of Rochefort-du-Gard, a town in the south of France, located in the Gard department. The inscription preserved on the back identifies the subject as “Rochefort du Gard,” followed by a dedication in French — “à mes amis Bernard” — and the date “Mai 1962,” accompanied by the artist’s signature. This information constitutes an interesting documentary testimony about the place depicted and the date of execution of the work. The composition offers a broad view of the southern French countryside, organized through successive horizontal planes. In the foreground stretches a vineyard area, whose dark, twisted trunks create a marked graphic rhythm against the intense green of the terrain. Beyond it appears a second cultivated strip, enlivened by the small presence of a farmer and an agricultural animal. The horizon is dominated by a succession of tall cypresses, whose vertical and dark silhouettes contrast strongly with the horizontality of the fields. Behind them, the town of Rochefort-du-Gard appears, raised above the ground and crowned by its monumental architecture. From a stylistic point of view, the work integrates into the tradition of 20th-century French post-Impressionist landscape painting, with clear resonances of painting developed in the south of France. The simplification of forms, the defined contours, and the use of intense colors show a conception of landscape remote from strict naturalistic reproduction. Particularly interesting is the treatment of the vineyards in the foreground, almost converted into graphic signs of sinuous and dark lines. This resource, together with the use of intense greens, deep blues, and relatively flat chromatic surfaces, introduces certain resonances of the post-Impressionist tradition initiated by artists such as Vincent van Gogh, especially in the expressive interpretation of the cypresses and of the Mediterranean vegetation. This reference should be understood exclusively as a stylistic affinity within a broadly developed pictorial tradition subsequently. Echoes of Fauvism and of the French Mediterranean landscape painting can also be perceived, especially in the autonomy granted to color. The greens acquire a greater intensity than strictly naturalistic, while the cypresses become large bluish and almost black masses that structure the entire composition. The sky, resolved with light blues, grays, and whites, occupies a considerable area and provides luminosity to the whole. The clouds are treated with a free brushstroke that contrasts with the more graphic and defined character of the vegetation. The presence of the farmer working the land introduces a human and rural dimension that reinforces the character of a Provençal or southern landscape, evoking the traditional relationship between the towns of southern France, the vineyards, and the surrounding agricultural territory. The result is a work of notable decorative and chromatic appeal, in which the identity of the French Mediterranean landscape is expressed through direct, luminous painting with a strong personality. On the back is preserved the handwritten inscription: “Rochefort du Gard” “à mes amis Bernard” “Mai 1962” followed by the artist’s signature. The conservation state should be carefully assessed through the photographs provided, which form an integral part of the description and allow the signs of age and use to be appreciated. The work is currently framed in a wide, classically styled frame. IMPORTANT ABOUT THE FRAME The frame that appears in the photographs is delivered exclusively as a GIFT together with the artwork. The frame is not part of the lot for valuation purposes, has no commercial value attributed, and is included only as a courtesy to the buyer. Consequently, any possible damage, breakage, loss of molding, or damage suffered solely by the frame during transport cannot constitute a reason for complaint or affect the valuation of the acquired artwork. The work will be carefully packed in a professional manner, using materials appropriate to provide maximum protection during transport. IMPORTANT: shipments destined for islands, non-mainland territories, or destinations subject to customs procedures may incur additional transport, handling, and/or customs costs, which will be borne by the buyer.

Estimate:£254.82

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