Joanmiquel Font (1964) - Territorio interior

Pictura Galeria presents this magnificent artwork by Joanmiquel Font, depicting an abstract and imaginary landscape in which earthy and dark shapes float over a wide golden space, evoking memory, time and the power of nature. The painting stands out for its excellent technique and the great pictorial quality it transmits. · Dimensions of the work: 50x50x1 cm. · Oil on paper signed by the artist in the lower right corner of the work. · The piece is in good conservation condition. The work comes from an exclusive private collection in Girona. Important note: the photographs included are an integral part of the lot description. The work will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself. Shipping will be carried out by Correos or GLS with tracking. International shipping available. This painting presents an abstract composition dominated by an extensive golden surface that envelops all forms and acts as an open, warm and bright space. On this background, different dark, reddish, white, yellow and earthy elements appear to float in an undefined territory. The absence of a recognizable scene allows the gaze to focus on the relationships between colors, shapes and empty spaces. The whole work conveys a sense of spaciousness, silence and mystery, as if it showed a landscape reduced to its most essential traces. The golden hue occupies the majority of the composition and constitutes its main unifying element. It is not perceived as a completely uniform color, but as a surface full of slight variations, reflections and intensity changes that bring depth. Depending on the area, the background seems to approach warm yellows, soft ochres or sunlit sand tones. This visual richness turns the seemingly empty space into an active presence that surrounds and supports the other forms. At the top stretches a long line of dark color that crosses the painting horizontally. Its path is irregular, wavy and organic, as if it were a crack, a branch, a shadow or the distant profile of a territory. Below it appears a broader burgundy-toned shape that expands to the left and narrows to the right. Both figures establish a kind of boundary within the golden space and add tension to the upper area, evoking a division between two different realms. The dark line can be interpreted as a horizon, though its nature remains deliberately ambiguous. Its jagged contour recalls the profile of a distant mountain range, but it could also suggest the course of a river, an open wound, a root advancing beneath the earth, or a mark drawn by the passage of time. This ability to awaken different associations is one of the most attractive aspects of the work, as each viewer can construct their own reading from memories and emotions. In the central area lies the greatest concentration of shapes and colors. There unfolds a wide horizontal band composed of whites, blacks, browns, ochres and intense yellows. Its irregular boundaries create the impression of a territory in transformation, like a mass that expands, fragments and then reunites. The presence of white provides luminosity, while black areas introduce depth and drama. Browns and oranges establish a visual connection with the lower band and reinforce the earthy character of the whole. Below this central band stands out a block, roughly rectangular, located slightly to the left. It combines coppery browns, deep reds and dark nuances that create a solid, compact presence. This form acts as a supporting point within the composition, contrasting with the free, changing horizontality of the surrounding shapes. It may recall a stone, a building, a fragment of earth or an ancient remnant suspended in the golden space. Next to the reddish block a much brighter yellow zone opens up, seemingly extending to the right. Its luminosity introduces energy and gives the impression that an inner light emerges from the center of the work. On this area appear small black, curved and discontinuous shapes, reminiscent of signs, seeds, paths or tiny silhouettes. These dark details break the continuity of the yellow and provide rhythm, guiding the eye slowly across the central part. The white, gray and black shapes located above the yellow generate a highly expressive succession of contrasts. Some areas appear dense and compact, while others dissolve into the background, creating an unstable boundary between figure and space. This variety evokes natural processes such as erosion, sedimentation or the wear of an ancient surface. It can also evoke a landscape seen from above, with patches of land, dark waterways, light zones and small elevations distributed across a vast territory. At the bottom, a wide orange and earthy band develops, formed by a sequence of irregular elevations. Its granular and compact appearance contrasts with the more open expanse of the background. This area can be associated with arid terrain, a rocky coast, a chain of hills, or the fractured edge of material emerging from the base. Its different heights create a visual rhythm akin to a rugged landscape and provide stability to the whole. The lower band does not form a continuous, regular line but features recesses, projections, mounds and small valleys. Thanks to these variations, the boundary between the earthy zone and the golden space seems alive and changing. In some points the shapes rise with greater force; in others they descend and allow the background to penetrate between them. This relationship between the compact and the empty reinforces the sense that we are facing a symbolic vision of land, time and transformation. One of the most interesting aspects of the composition is the great distance that separates the lower band from the central core. That wide golden gap generates silence and allows each element to breathe. At the same time, it produces a subtle tension, as the shapes seem to attract despite remaining isolated. The central block appears to be suspended above the lower territory, like an island, a memory or a detached fragment that still preserves an invisible relation with the earth below. The work builds its strength through the opposition between horizontality and verticality, density and emptiness, darkness and brightness. The long upper and lower lines frame the composition, while the central core concentrates the greatest visual activity. The golden background thus becomes a kind of energy field that keeps all elements in balance. Nothing appears placed casually: every stain, every line and every interruption helps direct the gaze and maintain a constant tension. Warm colors clearly dominate the set. Golden, ochre, yellow, red and brown evoke the sun, the sand, the earth and fire. Against them, blacks, grays and whites provide contrast and a certain hardness. This combination can convey warmth and gravity, beauty and wear, serenity and strength at the same time. The painting seems to speak of an essential and ancient nature, stripped of anecdotal details and transformed into a sequence of elementary signals. The composition also possesses a poetic dimension. The shapes could be understood as remnants of a disappeared landscape, vestiges of a remote memory or fragments of an imaginary geography. The golden space can symbolize the passage of time, an atmosphere of light or even a void in which memories float. The dark lines then acquire the appearance of scars or paths, while the reddish and earthy areas evoke the permanence of matter against the fragility of memory. The abundance of free space invites a slow, contemplative observation. At first glance, the work may seem simple, but upon stopping, numerous relationships between the forms appear: the upper line dialogues with the lower band, the central block balances the yellow zone, and the small black signs introduce movement within a predominantly horizontal structure. This organization allows the painting to change depending on the viewing distance, offering a global impression first and revealing later a wide variety of details. Taken together, this precious painting represents an abstract universe of suspended shapes over a golden background, where light, earth, matter and void relate in a deeply evocative way. The dark bands, the reddish blocks, the bright flashes and the earthy relief of the lower part create a balanced composition that can recall an imaginary landscape, an ancient geography or a memory transformed by time. The work invites contemplation, interpretation and personal meanings, while at the same time transmitting strength, mystery, warmth and a powerful sense of permanence.

Estimate:£422.56

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