Maud Lewis (1901-1970) Barrel of Fish

Marshalltown, Nova Scotia. Late 1940s. This is an early example of the serial image illustrated on page 41 of Maud Lewis: Paintings for Sale (2019), by Sarah Milroy, published in conjunction with the landmark retrospective organized by the McMichael Canadian Art Collection. The inclusion of a human figure is particularly noteworthy. Here, the fisherman is actively engaged in his work, bringing a wonderful sense of life and narrative to the harbour. Rather than simply depicting a picturesque coastal landscape, Lewis captures a moment of everyday activity in a Nova Scotia fishing village. The carefully considered use of colour is among the painting's greatest strengths. The colours of the mustard-yellow sky are echoed in the fishing boat, dock and fisherman's jacket, creating a pleasing visual continuity throughout the composition. Similarly, the green of the fish barrel is repeated in the gently rolling hills beyond the harbour, bringing a wonderful sense of balance to the scene. Lewis's attention to the water is also noteworthy. The reflection of the fishing boat is beautifully rendered, while the subtle variations in colour and shading across the harbour create an unexpected sense of depth. Equally impressive are the rolling hills, where carefully applied tones give form and dimension to the distant landscape. Even the individual fish receive thoughtful attention, an endearing detail that invites closer examination. Signed, "Lewis" lower right. Includes certificate of authenticity signed by Alan Deacon.

Estimate:£10,606.18

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