Miquel Torner de Semir (1938) - El espejo interior

lot/miquel torner de semir 1938 el espejo interior rUaPEUE 633205647 / Price history

lot/miquel torner de semir 1938 el espejo interior rUaPEUE 633205647

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lot/miquel torner de semir 1938 el espejo interior rUaPEUE 633205647

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Miquel Torner de Semir (1938) - El espejo interior

Pictura Subastas presents this magnificent artwork by Miquel Torner de Semir, which represents a symbolic composition featuring three adult women among fragmented forms and enigmatic objects, evoking different states of identity, memory and introspection. The painting stands out for its excellent technique and the high pictorial quality it conveys. · Framed dimensions: 116x97x6 cm. · Unframed dimensions: 92x73 cm. · Oil on panel hand-signed by the artist at the bottom right. · The piece is in good condition. · The work is sold with a precious frame (included in the auction as a gift). The work comes from an exclusive private collection in Girona. Important note: the photographs included form an integral part of the lot description. The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packing and the transport itself. Shipping will be made by Correos, GLS or NACEX with tracking. International shipping available. This painting features a complex figurative composition starring three adult women, whose bodies and faces are distributed among fragmented shapes, decorative objects, and broad areas of color. The scene does not seem to unfold in a recognizable or everyday space, but within a symbolic universe in which human figures coexist with abstract elements. This combination creates an enigmatic image that invites close observation of every corner and the construction of a personal interpretation. In the lower left corner appears the female figure closest to the viewer. Her nude body is shown frontally, with the face slightly raised and a serene, yet somewhat inquiet, expression. Her large dark eyes look outward from the scene, establishing an immediate connection with the viewer. The pale tones of her skin, accompanied by bluish, pinkish and violet reflections, make her presence stand out against the darker areas of the surroundings. The face of this first woman possesses delicate and stylized features. The reddish lips, rosy cheeks, and deep gaze convey a mix of vulnerability, surprise, and introspection. Her hair rises into a large mass of ochre color, covered by wavy blue-toned lines. This hairstyle takes on a nearly sculptural dimension and allows the head to merge with the abstract shapes behind her. In the upper left corner there is a second woman represented in profile. Her head is oriented toward the exterior of the composition and her neck stretches elegantly. The clear face contrasts with the dark background that surrounds it, while the ochre hair extends backward in a rounded shape. The wavy lines running through it seem to suggest thoughts, inner energy, or a hidden movement that accompanies the figure. The posture of this second woman conveys calm and distance. Her eyes seem to be directed toward a distant point, outside the represented space, as if she were absorbed in a memory or a silent reflection. The delicacy of her profile contrasts with the verticality of a large gray form beside her, marked by a sequence of small reddish circles that provides rhythm and structure to the whole. To the right appears a third female figure, also shown in profile and oriented to the left. Her face is partially defined by dark zones, geometric stains, and small touches of color. The head seems to rest gently on a surface or within an atmosphere of deep introspection. This position creates a visual relationship with the woman above, as if both figures were participating in a silent dialogue. The body of the figure on the right occupies a considerable part of the composition. Her rounded forms are built with whites, grays, beiges, and pinks that contrast with the black background. A small motif resembling an eye appears on her torso, introducing a symbolic element that can be associated with vigilance, inner awareness, or the perception of what remains hidden. The three women do not interact physically, but their gazes and positions create an emotional connection. One observes the viewer, another looks into the distance, and the third seems to fold in on itself. This diversity of attitudes can be interpreted as representing different moods or different moments of the same identity: presence, memory, and introspection. The scene is traversed by a rich variety of geometric and organic shapes. Rectangular surfaces appear, curved fragments, black lines, and small zones of intense colors overlap around the bodies. These elements divide the space into multiple sections and create a sense of a visual collage, as if reality had decomposed into memories, emotions, and independent perceptions. On the left side stands a large element in reddish, violet, and golden tones, decorated with shapes resembling jewels, flowers or ornaments. Near the head of the lower figure, there is also an elongated structure with black, gold, and bluish areas. These objects add visual richness and reinforce the imaginative atmosphere of the painting, though their meaning remains deliberately open. The color palette combines soft, muted tones with vivid accents. The whites, grays, and beiges of the bodies coexist with dark greens, blacks, browns, and ochres, while small touches of blue, red, turquoise and violet traverse the composition. This balance between delicate colors and deep zones creates an intimate, mysterious, and slightly theatrical atmosphere. The background does not function as a stable space, but as a succession of superimposed planes. Some areas resemble walls, columns, or architectural interiors, while others become abstract stains and fragments difficult to identify. This ambiguity makes the figures appear suspended between reality and dream, within a stage built from sensations rather than concrete places. The nudity of the figures is presented in a serene and symbolic manner. The bodies are not simply physical studies, but expressions of fragility, identity, and interior truth. By removing clothing and clear temporal references, the women acquire a universal presence, capable of representing human emotions such as loneliness, contemplation, the desire to understand, or the search for oneself. The work invites interpreting the three figures as independent characters or as different facets of the same woman. The frontal figure could represent the conscious present; the woman looking to the left, memory or the past; and the reclining figure, the inner world or dream. This reading makes the composition a reflection on identity, memory, and the multiple ways a person can perceive themselves. Overall, this painting offers a mysterious and deeply expressive representation of three female figures immersed in a fragmented and symbolic space. The serene faces, the clear bodies, the divergent gazes, and the abundance of abstract shapes build a scene full of introspection and sensitivity. The work invites contemplating the different dimensions of female identity and discovering, among its colors and fragments, an open story about memory, consciousness, and the inner world.

Estimate:£1,689.63

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