Ninni Pagano (1969) - L'esploratrice dell'alchimia

Biography Biography of Ninni Pagano Nato a Catania nel 1969, Ninni Pagano intraprende inizialmente studi di tipo scientifico, un background che influenzerà la precisione e la struttura delle sue future opere. Il suo approccio al mondo dell'arte avviene attraverso la frequentazione dello studio del maestro Antonio Sciacca, con il quale condivide una visione dell'arte come ponte tra epoche diverse. The Poetics: "The Chamber of Wonders" The search of Pagano is closely tied to the concept of Wunderkammer (Chamber of Wonders). His works are often conceived as mental spaces where融合 fuse: Classicism and Pop: Elements of Greek and Renaissance statuary are reinterpreted with solid colors and contemporary symbolisms. Alchemy and Philosophy: The artist investigates the enigma of existence through dreamlike figures (such as his famous "Swan Women") and hermetic references. Matter: He uses mixed powders to achieve a chromatic compactness that gives the canvases a nearly sculptural dimension. Achievements and Recognitions Although his exhibition career took off fully around 2011, he quickly achieved internationally significant milestones: Venice Biennale: He exhibited at the 56th edition (2015) within the show "Grazie Italia" at the Guatemala Pavilion. Rome Triennale: Participation in the Visual Arts Triennale Exhibition in 2014. Publications: His work is included in Mondadori's Catalogo d'Arte Moderna (CAM) and in the De Agostini Atlas of Contemporary Art. International Presence: His works have been shown in prestigious venues such as the Altes Dampfbad Museum in Baden-Baden, Germany, and at the Art Market in Budapest. In addition to painting and sculpture, Pagano is an expert connoisseur of antique art. This passion is reflected in how he “recovers” the past, not by copying it, but by transforming it into a grotesque and fascinating language that speaks of the contradictions of modern man. 'explorer of alchemy This title fits with the artist’s figurative and conceptual universe, characterized by key elements of his poetics: Alchemical and Esoteric Symbolism: The presence of the Ouroboros (the serpent biting its tail, a symbol of eternal cycle and renewal) enclosed in the luminous sphere and the left-side alchemical alembic/spindle evoke the search for deep knowledge, transformation, and the mysteries of life. Retro-futurist / Steampunk Aesthetics: The vintage aviator helmet with goggles gives the character the look of a time or mind explorer, in perfect balance between historical memory and fantastical vision. The Game and the Strategy of Existence: The chess pieces (the King and Queen) on the surface represent the dualities of existence, strategy, fate, and the confrontation between mental forces. Pictorial Tonality: The chiaroscuro atmosphere and the metallic/night-blue tones, typical of his visionary figurative work, confer a quasi-priestly solemnity to the figure, suspended between Renaissance portraiture and surrealist imagination. Instagram:@ninnipagano

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