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All auctions / Arts & Graphics / Pablo Picasso (1881-1973) (after) - Le Cheval Horse...
Beautiful, expressive screen print by Pablo Picasso in a 50 x 60 cm format titled Horse. The work is a high-quality screen print on laid paper and in very good condition. Published and printed by the art publisher since 2000. Text: "Pablo Picasso, "Le Cheval", Copyright: Succession P. Picasso / Sabam Belgium 2003. Artist: Pablo Picasso Title: Pferd Art: Fine art print Technique: Screen print on laid paper Originality: Reproduction Sheet size: 50 x 60 cm Condition: New Origin: Art publisher Era: Classical Modern Nationality: Spanish Art Pablo Picasso: Pablo Picasso, born October 25, 1881 in Málaga, Spain, and died April 8, 1973 in Mougins, France, was one of the most influential artists of the 20th century. As a co-founder of Cubism and the creator of numerous revolutionary artworks, Picasso decisively shaped modern art. His versatility and innovativeness extended across painting, sculpture, printmaking, ceramics, and stage design. Picasso began his artistic training in La Coruña and Barcelona before moving to Madrid and later to Paris. In Paris, then the center of the art world, he came into contact with the works of Paul Cézanne, Henri de Toulouse-Lautrec, and the Impressionists, whose influences are visible in his early works. Céanne’s structural approach and the Impressionists’ experimental use of color had a deep influence on Picasso’s development. Cézanne’s work “Mont Sainte-Victoire” and Toulouse-Lautrec’s works such as “At the Moulin Rouge” influenced Picasso’s early artistic vision. A significant turning point in Picasso’s career was his Blue Period (1901-1904), characterized by melancholic themes and blue hues. These works, such as “The Old Guitarist” (1903), reflect emotional depth and expressiveness also found in the works of Vincent van Gogh and Edvard Munch. Van Gogh’s “Starry Night” and Munch’s “The Scream” show a similarly intense emotional resonance. The Blue Period marked Picasso’s deep engagement with human existence and its suffering, akin to existential themes in Käthe Kollwitz’s works. The decisive break with traditional representation came with the development of Cubism, which Picasso co-developed with Georges Braque from 1907. A key work of this period is “Les Demoiselles d’Avignon” (1907), which breaks down the human figure into angular, geometric forms and paved the way for the Cubist movement. Cubism influenced many artists, including Fernand Léger and Juan Gris, who both became important representatives of this movement. Léger’s “The City” and Gris’s “Portrait of Pablo Picasso” are iconic Cubist works. Picasso’s and Braque’s works during this period also influenced artists such as Robert Delaunay and Francis Picabia, who integrated Cubism into their own, often colorful and dynamic styles. In the 1920s, Picasso began to explore Surrealism and created works inspired by dreams and the subconscious. This phase shows the influence of artists such as Joan Miró and Salvador Dalí, whose surrealist portrayals of the unconscious and dream world share parallels with Picasso’s works. Miró’s “Harlequin’s Carnival” and Dalí’s “The Persistence of Memory” are iconic Surrealist works that explore similar themes and techniques. The works of Max Ernst and René Magritte, who emphasize the surreal and dreamlike, also reveal a kinship with Picasso’s surrealist experiments. Picasso’s monumental work “Guernica” (1937) is a powerful political statement against war and destruction. The painting, depicting the bombing of Guernica during the Spanish Civil War, combines Cubist and Surrealist elements into a stark indictment of violence and oppression. This work aligns with the politically engaged works of artists such as Diego Rivera and José Clemente Orozco, whose murals also convey strong social and political messages. Rivera’s “Man at the Crossroads” and Orozco’s “Prometheus” are examples of using art as a means of social and political commentary. Guernica also influenced artists like Francis Bacon, whose dark, distorted figures convey a similar intensity and emotion. Throughout his career, Picasso repeatedly returned to traditional subjects such as portraits and still lifes, reinterpreting them in innovative ways. His portraits of Dora Maar and Marie-Thérèse Walter show deep psychological complexity and emotional intensity reminiscent of works by Egon Schiele and Gustav Klimt. Schiele’s “Self-Portrait” and Klimt’s “Portrait of Adele Bloch-Bauer I” offer insights into similar psychological and emotional depths. The use of color and form in these portraits shows parallels with the expressive and symbolic depictions of Frida Kahlo, whose self-portraits likewise delve deeply into her inner personal and emotional world. In later years, Picasso continued to experiment with different styles and techniques. His works from the 1950s and 1960s, such as the series “Painter and Model” and the “Las Meninas” variations, show an ongoing search for new expressions and engagement with art history. These works dialogue with the classical masters such as Diego Velázquez and Rembrandt, whose works Picasso interpreted and developed in his own unique way. Velázquez’s “Las Meninas” and Rembrandt’s “The Night Watch” are iconic works that inspired Picasso’s later works. The interpretation of classical subjects is also found in the works of David Hockney and Anselm Kiefer, who incorporate historical and artistic references into their contemporary works. Shipping information: We roll prints onto rigid cardboard tubes, wrap them with corrugated cardboard, and ship them in sturdy boxes. Shipping includes a tracking number for parcel tracking. - deliveries to the Canary Islands are not possible - About us: We have been active in the art trade for over 20 years and have extensive experience in the professional handling and shipping of artworks.
Estimate:£127.23
To the auctionView all items fromCatawikiorArts & Graphics
Estimate:
£127.23
Copy Acrylic Painting After Robert Delaunay "Hélice"
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ROBERT DELAUNAY, Jacques Damase Gallery, Bruxelles, 1973, signerad
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