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Barnebys Magazine

LatestEditor's picksTopics
Magazine/Painting/A Rediscovered Murillo Masterpiece at Auction

A Rediscovered Murillo Masterpiece at Auction

The work of the Spanish Baroque painter, discovered in a private collection, is not only a highlight of Christie's upcoming auction, but also reveals a secret underneath its layers.

16 April 2021Gritta von Toll
Bartolomé Esteban Murillo (1618 Sevilla 1682), 'Saint Francis Embracing Christ on the Cross', oil on canvas, private collection [detail]. Photo © Christie's

Bartolomé Esteban Murillo (1618 Sevilla 1682), 'Saint Francis Embracing Christ on the Cross', oil on canvas, private collection [detail]. Photo © Christie's

A painting by the Spanish Baroque painter Bartolomé Esteban Murillo (1618-1682), recently rediscovered in a private collection in Madrid, is one of the highlights of Christie's Old Masters auction on 22 April in New York.

The painting, Saint Francis Embracing Christ on the Cross, corresponds in composition to a painting of the same name, which is in the collection of the Museo de Bellas Artes in Madrid, and is one of the works Murillo created for the Capuchin monastery in his hometown of Seville.

At first the experts believed that this was probably a copy of Murillo's painting that had been commissioned by a private individual. These commissions were common and the copies were made by the master himself or the employees of his workshop.

Left: Bartolomé Esteban Murillo (1618 Sevilla 1682), 'Saint Francis embracing Christ on the Cross', oil on canvas, private collection. Photo © Christie's. Right: Bartolomé Esteban Murillo (1618 Seville 1682), 'Saint Francis embracing Christ on the Cross', oil on canvas, c. 1668-69, Museo de Bellas Artes, Seville. Photo © Christie's

However, an X-ray examination revealed details that had been painted over and differed from the known composition, including an additional group of putti (cherubs). This led to a new theory regarding the rediscovered painting, suggesting that it was painted prior to the well-known version as a study for what Murillo planned to paint for the monastery in Seville. However, Murillo may have changed his original painting due to the monks' requests.

See also: Top 10 Rediscovered Masterpieces

"Whether Murillo painted this work before or after the version in Seville remains open to debate," Jonquil O'Reilly, an expert on Old Masters at Sotheby's, said. "Either way, it’s an important addition to our understanding of his Capuchin cycle, as well as his entire oeuvre. The work’s striking intimacy, coupled with the beautifully preserved paint surface, which allows full appreciation of the artist’s fluid, confident brushwork and brilliant depiction of anatomy, make it a fascinating rediscovery."

Bartolomé Esteban Murillo (1618 Sevilla 1682), 'Self-portrait', oil in canvas, 1668-70, National Gallery, London. Photo public domain

Murillo's rediscovered version of Saint Francis Embracing Christ on the Cross will be offered on 22 April at Christie's with an estimate of $1.2-1.8 million (£870,000-1.31 mil).

Find more news from the auction market with Barnebys Magazine

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About the author

Gritta von Toll

Gritta von Toll is the German Editor at Barnebys Magazine. She completed studies in pre- and early history and archaeology, and since 2015, after a short detour into the world of advertising, she has worked at Barnebys, where she immerses herself in art history in order to bring bygone epochs closer to today's readers.

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Gritta von Toll

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