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Barnebys Magazine

LatestEditor's picksTopics
Magazine/Painting/‘Big Eyes’ Artist Margaret Keane Has Died at the Age of 94

‘Big Eyes’ Artist Margaret Keane Has Died at the Age of 94

For decades her husband took all the credit for her works, but she dies vindicated as the true artist behind the popular portraits of children with big haunting eyes.

1 July 2022Giulia Zileri Dal Verme
Artist Margaret Keane standing next to her painting: ‘Time in the Mind’; her husband, Walter Keane holds his painting ‘We Will Overcome’. (Photo by Bettman via Getty Images) (detail)

Artist Margaret Keane standing next to her painting: ‘Time in the Mind’; her husband, Walter Keane holds his painting ‘We Will Overcome’. (Photo by Bettman via Getty Images) (detail)

The American artist Margaret Keane, born in Tennessee in 1927, reached worldwide fame during the 1950s and 60s thanks to her portraits of melancholic children, women and animals painted with abnormally big eyes. It has recently been announced that she has died, aged 94. Today we celebrate her career and incredible life story. 

Margaret Keane, The Orange Door, circa 1960, oil on canvas. Photo © Heritage Auctions

Margaret took up painting as a child, and her trademark eyes soon populated the pages of her school textbooks. After a year at the Traphagen School Of Design in New York, she began her artistic career by painting commercial celebrity portraits. 

However, it wasn’t long before she solely focused on her ‘big eyes’ portraits, at which point she was married to her second husband, Walter Keane. Margaret said that he began selling her characteristic paintings almost immediately, despite her not realising it for quite some time. As the years went on, her husband started crafting more and more of an artistic persona for himself, exhibiting her works under his own name and selling them for large amounts of money. 

See also: Andy Warhol: The Pope of Pop 

In the mid-1960s, the ‘Painting Keanes’, as Walter would promote them, exploded in popularity, with $2 million in sales made in 1964 alone. Margaret’s paintings came to adorn the homes of many Hollywood actors and famous people, and were even endorsed by Andy Warhol, one of the great contemporaries of the time. Of that period, Margaret recalled that she was forced to work for up to 16 hours a day, fearing for her safety were she to tell the public the truth or stop this massively lucrative business her husband had trapped her into. 

Margaret Keane, The Prisoner, 1969, oil on canvas. Photo © Heritage Auctions

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In an interview with Variety in 2015, Margaret said that the popularity of the paintings ‘exploded so fast, and he was such a genius at promoting them … that the more and more popular they were, the deeper the hole got, and I just didn’t know how to get out or what to do’. However, Margaret would eventually get out of that hole: in 1970, after she divorced Walter Keane, she announced in a radio broadcast that she was the true artist behind the paintings — much to the shock of her contemporaries. 

See also: 10 Artist Couples You Should Know

During a 1986 court hearing where she sued her ex-husband for defamation, Margaret challenged Walter to a ‘paint-off’ in San Francisco’s Union Square. As Walter refused to show up, the court finally realised that she was indeed the ‘big eyes’ artist. $4 million in damages were awarded to her, though she never received anything from Walter Keane. At the time, the story so deeply captured American society that it later inspired Tim Burton to produce the 2014 award-winning film Big Eyes. 

NEW YORK, NY - DECEMBER 15: Artist Margaret Keane attends the ‘Big Eyes’ New York premiere at the Museum of Modern Art on 15 December 15 in New York City. (Photo by Jim Spellman/WireImage)

On Wednesday, the Keane estate announced in a press release that the artist had peacefully passed away at her home in Napa, California. ‘We will miss her love, creative ingenius and passion to continue to create new works up until her passing’, reads the post. Although some critics nowadays dismiss her art as middlebrow, her ironic signature style remains hugely popular with the public, and even more so her incredible life story. 

Read more articles in Barnebys Magazine

Margaret KeaneWalter KeaneBig EyesTim Burton

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About the author

Giulia Zileri Dal Verme

Giulia Zileri Dal Verme is the Global Senior Editor at Barnebys Magazine. She read Classics at Oxford University and studied Art Business at Sotheby’s Institute of Art. Her research focuses on the intersection between cultural practices and visual art, with a keen interest towards the ancient world. She is engaged in the auction market and particularly fascinated by London’s thriving art scene.

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Giulia Zileri Dal Verme

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