Stay up-to-date with the antiques world

By subscribing, you are agreeing to the privacy policy. Unsubscribe anytime.

Barnebys

Barnebys HQ

Brahegatan 10
BOX 5038
114 37 Stockholm

Company

  • About Us
  • Join Barnebys
  • Our Partners
  • Press
  • Career

Explore More

  • Barnepedia
  • Buying / Selling at auction
  • Auction Houses / Dealers / Galleries

Support

  • FAQ
  • Terms of Use
  • Privacy and Cookies policy
  • Contact us
  • Barnebys Group AB
  • Barnebys.se
  • Barnebys.com
  • Barnebys.co.uk
  • Barnebys.de
  • Barnebys.fr
  • Barnebys.es
  • Barnebys.it
  • Barnebys.hk
  • All auction items
  • Categories
  • Auction results
  • Magazine
  • Ancient Art
  • Arts & Graphics
  • Asian Art
  • Books, Maps & Manuscripts
  • Carpets, Rugs & Textile
  • Coins & Banknotes
  • Contemporary Art
  • Ethnographical
  • Fashion & Vintage
  • Folk Art
  • Furniture, Design & Mirrors
  • Glass
  • Jewellery & Gems
  • Lighting
  • Medals, Arms & Armour
  • Miscellaneous
  • Music & Musical Instruments
  • Nautica, Technica & Optic
  • Photographs
  • Porcelain & Pottery
  • Postcards & Stamps
  • Sculptures
  • Silver & Gold
  • Sports & Leisure
  • Tin & Metals
  • Toys & Collectables
  • Vehicles
  • Watches & Clocks
  • Wine & Spirits
  • Works of art
  • All auction items
  • Auction results
  • Magazine
  • Get a valuation
  • Auction system

Barnebys Magazine

LatestEditor's picksTopics
Magazine/Painting/5 Stolen Paintings Returned to a German Castle

5 Stolen Paintings Returned to a German Castle

41 years after their theft, five major paintings, including works by Hans Holbein the Elder and Frans Hals, were returned to Germany's Friedenstein Castle.

29 January 2020Laurianne Simonin
Frans Hals, Portrait of an unknown gentleman with a hat and gloves (detail), circa 1535, oil on canvas, image © Rathgen-Forschungslabor der Staatlichen Museen zu Berlin

Frans Hals, Portrait of an unknown gentleman with a hat and gloves (detail), circa 1535, oil on canvas, image © Rathgen-Forschungslabor der Staatlichen Museen zu Berlin

A secret recovery mission ended on 30 September 2019, when a van stopped in front of the Rathgen research laboratory in Berlin to unload five packages.

The contents weren't revealed until 17 January 2020 at a press conference, revealed The Daily Art Newspaper. Inside were five paintings of old masters stolen from Friedenstein Castle over 40 years ago and missing ever since. The robbery, which occurred in December 1979, is considered the most disastrous in the history of communist East Germany. It is as incredible as the recovery mission which was carried out without any ransom being paid.

Left: Attributed to Ferdinand Bol, Portrait of an old man, after 1632, oil on oak / Right: Hans Holbein the Elder, Saint Catherine, around 1510, oil on maple, images © Rathgen-Forschungslabor der Staatlichen Museen zu Berlin

"The 1979 robbery traumatised the people of Gotha," said Tobias Pfeifer-Helke, director of the Schloss Friedenstein Foundation, at the press conference. As many as a thousand people were questioned by law enforcement, and according to recent discoveries, the paintings were smuggled through the Iron Curtain in the mid-1980s. It remains to be seen how the criminals managed to bypass one of the most watched fortified borders in history.

Jan Brueghel the Elder or his workshop, Country road with farm carts and cows, circa 1610, oil on oak, image © Rathgen-Forschungslabor der Staatlichen Museen zu Berlin

It took 41 years for the five works, whose insurance value amounts to €4 million (£3.38 million) to reappear. Gotha Mayor Knut Kreuch said he received several phone calls in 2018, followed by photographs from a lawyer. The latter's customers demanded more than €5 million ($4.23 million) for the paintings. "We don't give money to thieves," replied Martin Hoernes, of the Ernst von Siemens Art Foundation, whom the mayor had then asked for the funds.

See also: Billionaire Banker Convicted for Smuggling a Picasso

Hoernes pointed out that no payment had been made to guarantee the return of the works. However, the Siemens Art Foundation covered the legal costs, research and transport, which, put together, amounted to less than €50,000 (£43,000). The result was a "diplomatic coup" made possible by skilful negotiation.

Unknown artist, Self-portrait with sunflower after Anthony van Dyck, after 1633, oil on canvas, image © Rathgen-Forschungslabor der Staatlichen Museen zu Berlin

Among the works is a portrait of Saint Catherine by Hans Holbein the Elder (1510), a portrait signed Frans Hals (1535), a landscape formerly attributed to Jan Brueghel the Elder and today considered the work of his workshop, a copy of a self-portrait by Anthony van Dyck, and a 17th-century portrait attributed to Ferdinand Bol.

See also: The Rediscovered Stolen Klimt is Authenticated

After their secret arrival at Rathgen's laboratory, the researchers had three months to analyse the paintings. Stefan Simon, the director of the institute, said that their authenticity is beyond question. Comparisons with photographs prior to 1979 revealed identical cracks in the varnish.

Digital microscopic examination of the surface of Frans Hals' work, image © Rathgen-Forschungslabor, Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz

Criminal investigations are continuing. The identity of the thieves is still unknown, and the case remains unresolved, said René Allonge, of the Berlin police. 

See also: The Top 10 Stolen Paintings

Schloss Friedenstein in Gotha. Image: Michael Sander via Wikimedia Commons

The five paintings were on display at Friedenstein Castle until 26 January 2020 and now will be restored for an exhibition dedicated to the history of theft planned for 2021. "This is the most important event since German reunification for the city of Gotha," said Pfeifer-Helke.

Find more artworks on Barnebys

stolen artpaintinggermanyhans holbeinfrans hals

Subscribe to Barnebys Magazine

By subscribing, you are agreeing to the privacy policy. Unsubscribe anytime.

About the author

Laurianne Simonin

Laurianne Simonin is the Managing Editor at Barnebys Magazine. She has been writing for Barnebys French Magazine since 2018. After studying arts and photography, she worked in various cultural enterprises, both in galleries and in the museum sector. With a penchant for discoveries and objects with singular stories, Laurianne has written on a wide range of subjects ranging from archaeology to cinema, but is particularly fond of writing in-depth articles on ceramics, Art Deco and Japanese art. Laurianne is now Editor-in-Chief and oversees the editorial strategy of Barnebys' six language platform.

Read more from this author
Laurianne Simonin

Explore related articles

Dr. Tobias Pfeifer-Helke, Director of the Foundation, and Dr. Timo Trümper, Director of Science and Collections, with the returned upper part of Salomé. Photo: Boris Hajdukovic, 2025 (detail)
Painting

Cranach’s Salome and John Reunited After Nearly a Century

Martingala armchair designed by Marco Zanuso, 1954. Photo by Paolo Monti, License CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/, via Wikimedia Commons (detail)
Design

Marco Zanuso: From the Navy to the Compasso d’Oro

Bring your auction to collectors worldwide!