In June 2020, Spanish art dealer, Cristian López Márquez claimed he was in possession of the long-lost Frida Kahlo masterpiece The Wounded Table. On behalf of the owner, Marquez said he was seeking a buyer for the work, which is apparently under high security in London and is worth between $45-55 million (£35.7-43.7 million). However, the mystery surrounding the painting, and the fanatic obsession with Frida Kahlo that has endured for decades, has made experts skeptical about the validity of Marquez's claims.
The story of the painting begins 80 years ago, when Frida Kahlo (1907-1954) worked on the painting in the wake of her divorce from Diego Rivera. The couple, who had married in 1929, were in the throes. of a relationship filled with anger, violence and infidelity. Though they divorced in 1939, their passion for one another was all consuming and they ultimately remarried the following year in December 1940. In the period of separation in early 1940, Kahlo threw herself into work on the large-scale The Wounded Table, which explores grief, pain and her Mexican identity.
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The painting, anchored by a self-portrait of Kahlo at the centre, reflects her characteristic themes as well as her inner turmoil. She is flanked by a mechanical skeleton to her left, which grasps a strand of her dark hair in his wiry hand, and a Judas figure to her right with his arm around her, who is surrounded by circuits and is a reference to a similar figure that Rivera kept near his easel. Directly next to her is a Pre-Columbian Nayarit figure. These three figures were already part of her 1938 painting The Four Inhabitants of Mexico City. At the end of the table are her niece and nephew, and at the opposite end is her pet dear Granizo.
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The wooden tabletop breaks open with bloody wounds and sores, which drip onto the floor and the hem of her dress. The table scene is framed by heavy crimson curtains, providing a theatrical quality to the setting, while the background captures a gloomy grey sky and oversized plants bursting up from the ground. The work's elements such as her traditional dress and Nayarit figures are a nod to Mexicanidad, the revival of a traditional Mexican identity that came in the wake of the Mexican Revolution (1910-20), a backlash to Spanish colonial rule.
The painting was first shown in January 1940 at the International Surrealism Exhibit in Mexico City, but was last seen at an exhibit in Warsaw in 1955 before it was meant to tour around other Eastern European countries. However, it disappeared while in Warsaw and has not been seen since. Theories range from theft to destruction.
Despite its missing status, three photographs were taken of the work between 1940-1944 and the Kunstmuseum Gehrke-Remund in Baden-Baden, Germany was able to commission a replication of the work as they hold the only license from the Banco de México Diego Rivera & Frida Kahlo Museums Trust to do so.
Throughout the last 65 years, rumours of the painting's whereabouts have periodically cropped up. In June 2019, a man was arrested in Mexico for allegedly trying to sell the painting in exchange for an Acapulco mansion to a collector in London. However, no evidence of the painting was found.
Then in June 2020, the Spanish dealer Cristian Marquez has claimed that he has the painting in London and will show it to anyone who offers $45 million (£35.7 million) on behalf of the owner. However, experts have disputed the authenticity of the painting in the image Marquez provided. Whether the painting is still in existence, and where it is, remains to be seen, but the enigma of the masterpiece will continue to endure.
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This is an updated version of the article originally published on 17 July 2020
