David Hockney\nSteps with Shadow F (Paper Pool 2)\n1978\nUnique hand-coloured pressed paper pulp, on white TGL handmade paper, the full sheet.\nS. 128.3 x 85.1 cm (50 1/2 x 33 1/2 in.)\nSigned with initials and dated in white ink on the front, annotated '2-F' in pencil on the reverse (one of 16 variants), published by Tyler Graphics Ltd., Mount Kisco, New York (with their inkstamp), framed.
Gilbert & George\nDay\n1978\nSixteen gelatin silver prints with hand-coloring.\nEach panel 19 3/4 x 15 7/8 in. (50.3 x 40.4 cm) Overall 79 5/8 x 63 3/4 in. (202.3 x 162 cm)\nSigned in ink, printed title and date on the recto; each titled and sequentially numbered '1-16' in an unidentified hand in ink on the reverse of the flush-mount.
David Hockney\nGregory in the Pool E (Paper Pool 4)\n1978\nUnique hand-coloured pressed paper pulp, on white TGL handmade paper, the full sheet.\nS. 81.3 x 127 cm (32 x 50 in.)\nSigned with initials and dated in white ink on the front, annotated '4-E' in pencil on the reverse (one of 20 variants), published by Tyler Graphics Ltd., Mount Kisco, New York (with their inkstamp), framed.
Bernd and Hilla Becher\nWater Towers\ngelatin silver print, in 15 parts\n173 x 241 cm (68 1/8 x 94 7/8 in.)\nExecuted in 1965-1997. This work is a unique typology and is recorded with the inventory number BHB-00944 (15) by Sonnabend Gallery, New York.
Richard Avedon\nBrigitte Bardot, hair by Alexandre, Paris, January 27, 1959\n1959\nGelatin silver print.\n23 1/4 x 20 in. (59.1 x 50.8 cm)\nSigned and numbered 33/35 in ink in the margin; title, date and credit reproduction limitation stamps on the verso.
Egon Schiele\nDas Graphische Werk von Egon Schiele\n1914-18/1922\nThe complete set of eight prints, including five drypoints, one etching and two lithographs, on Japanese and wove papers, with full margins, title page, justification and introduction by Arthur Roessler in German, the sheets loose (as issued), held with paper corners within the original cardboard mounts, contained in the original green paper-covered portfolio with label on the front.\nall I. various sizes all S. various sizes la
Daniel DEWAR & Grégory GICQUEL (Nés en 1976 & 1975)\nMASON MASSACRE - 2008\nMarbre de Castelnou\nPièce unique\nh: 410 w: 190 d: 200 cm\n\nProvenance : Galerie Loevenbruck, Paris\nCollection Michel Fedoroff, Monaco\n\nExpositions : Saint Cyprien, Jardin botanique des Cappellans du Parc des Collections, mai-octobre 2008\nFontainebleau, "Château de Tokyo - Palais de Fontainebleau", septembre-novembre 2008, reproduit en couleur sous le n°1 du dépliant\nFIAC, Projet Hors les Murs, Cour Carré du Louvr
François-Xavier LALANNE (1927 - 2008)\nMOUTON TRANSHUMANT - 1988-2002\nPierre époxy et bronze\nEstampillé et daté derrière l'oreille gauche "Lalanne, 2002", monogrammé et numéroté derrière l'oreille droite "fxl, 145/250"\nFondeur Blanchet\n\nh: 90 w: 100 d: 36 cm\n\nProvenance : JGM Galerie, Paris\nCollection Michel Fedoroff, Monaco, depuis 2003\n\nCommentaire : Un certificat de la Galerie Mitterrand sera remis à l'acquéreur.\n\nEPOXYSTONE AND BRONZE; STAMPED AND DATED BEHIND THE LEFT EAR, SIGNE
Andy Warhol\nMickey Mouse, from Myths\n1981\nScreenprint in colors with diamond dust, on Lenox Museum Board, the full sheet.\nS. 37 7/8 x 37 7/8 in. (96.2 x 96.2 cm)\nSigned and numbered 'AP 25/30' in pencil (an artist's proof, the edition was 30), published by Ronald Feldman Fine Arts, Inc., New York (with the artist's and publisher's copyright inkstamps on the reverse), framed.
Jeff Koons\nFlower Drawing (Blue)\n2011\nMirror-polished stainless steel with transparent color coating.\n29 4/5 x 29 3/4 x 5/8 in. (75.7 x 75.6 x 1.6 cm)\nSigned, dated and numbered 11/13 in black ink on the reverse (there were also 2 artist's proofs).
Roy Lichtenstein\nTen Landscapes\n1967\nThe complete set of 10 screenprints with photo-collage in colors, on various wove papers and materials, mounted to composition board (as issued), with full margins, with title page, the sheets loose and contained in the original blue cloth bound portfolio.\nall I. various sizes all S. 19 1/2 x 25 1/2 in. (49.5 x 64.8 cm) portfolio: 20 x 26 x 2 in. (50.8 x 66 x 5.1 cm)\nAll signed, dated and numbered 59/100 on the reverse in pencil (there were also 10 in
Jeff Koons\nSeated Ballerina (Wood)\n2015\nCarved wooden sculpture, hand-painted with oil paints in colours, contained in the original foam-lined white card box with the artist's name printed on the lid.\n45.7 x 43.3 x 24.6 cm (18 x 17 x 9 3/4 in.)\nWith incised signature, date and numbering 38/50 on the underside (there were also 10 artist's proofs), commissioned by the Israel Museum, Jerusalem on the occasion of the Museum's 50th anniversary.
¤ Barry McGEE Américain - Né en 1966\nUntitled - 2010\nTechnique mixte\nAssemblage de 76 éléments\n\nMixed media. Assembly of 76 elements\n\nh: 246,40 w: 401,30 cm\n\nProvenance : Ratio 3, San Francisco\nAcquis auprès de cette dernière par l'actuel propriétaire\n\nExpositions : Miami, Art Basel Miami Beach, Barry McGee @ Ratio 3, 2 au 5 décembre 2010\n\nCommentaire : Un certificat sera remis à l'acquéreur\nEstimation 50 000 - 70 000 € \nSold for 106,600 €
Herb Ritts\nVersace Dress, Back View, El Mirage\n1990\nGelatin silver print.\n53 7/8 x 42 7/8 in. (137 x 108.9 cm)\nSigned, titled, dated and numbered 6/12 in pencil on a label affixed to the reverse of the flush-mount. One from an edition of 12 plus 3 artist's proofs. The edition of 12 plus 3 artist’s proofs was not fully realized.
Joseph Beuys\nFilzanzug (Felt Suit)\n1970\nHand-sewn felt suit, with the original cardboard box.\njacket: 83.8 x 63.5 cm (32 7/8 x 25 in.) trousers: 114.6 x 58.4 cm (45 1/8 x 22 7/8 in.)\nNumbered '1' in black ink on a label affixed to the inside of the jacket (the edition was 100 and 10 hors commerce examples), further signed, titled, dated and numbered by René Block in blue ink on a label affixed to the inside of the box, published by Galerie René Block, Berlin.
Vik Muniz\nStarry Night, after Van Gogh from Pictures of Magazines 2\n2012\nDye destruction print.\n70 x 88 in. (177.8 x 223.5 cm)\nSigned in ink, printed title, date and number 4/6 on a gallery label affixed to the reverse of the flush-mount.
Andy Warhol\nQueen Elizabeth II of the United Kingdom, from Reigning Queens\n1985\nScreenprint in colors, on Lenox Museum Board, the full sheet.\nS. 39 1/8 x 31 1/2 in. (99.4 x 80 cm)\nSigned and numbered 4/40 in pencil (there were also 10 artist's proofs), published by George C.P. Mulder, Amsterdam, framed.
Andy Warhol\nLiz\n1964\nOffset lithograph in colours, on wove paper, with full margins.\nI. 56 x 55.6 cm (22 x 21 7/8 in.) S. 58.9 x 58.6 cm (23 1/4 x 23 1/8 in.)\nSigned and dated in blue ball-point pen (one of approximately 300 signed and dated), published by Leo Castelli Gallery, New York, the colours bright and fresh, framed.
Kader ATTIA (Né en 1970)\nMOUCHARABIEH - 2006\nMenottes en acier inoxydable dans cadre en métal\nN°1/3\nEdition de 3 exemplaires\n\nh: 234 w: 93 cm\n\nProvenance : De Pury & Luxembourg, Zürich\nCollection Michel Fedoroff, Monaco, depuis 2006\n\nCommentaire : Un certificat de l'artiste sera remis à l'acquéreur.\n\nSTAINLESS STEEL HANDCUFFS IN METAL FRAME; EDITION OF 3\nEstimation 60 000 - 80 000 € \nSold for 80,600 €
Andy Warhol\nRebel Without a Cause (James Dean), from Ads\n1985\nScreenprint in colors, on Lenox Museum Board, the full sheet.\nS. 37 7/8 x 37 7/8 in. (96.1 x 96.3 cm)\nSigned and numbered 25/190 in pencil (there were also 30 artist's proofs), published by Ronald Feldman Fine Arts, Inc., New York (with their and the artist's copyright inkstamps on the reverse), framed.
Richard Avedon\nJohn Harrison, lumber salesman, and his daughter Melissa, Lewisville, Texas, November 22, 1981\n1981\nGelatin silver print, printed 1985.\n54 1/2 x 43 3/4 in. (138.4 x 111.1 cm)\nSigned and numbered 2/6 in stylus in the margin; signed, numbered 2/6 in ink, title, date, edition and copyright credit reproduction limitation stamps on the reverse of the mount. Accompanied by a Certificate of Authenticity signed in ink by the artist.
Frank Stella\nWaves I\n1985-89\nThe complete set of six screenprints with lithograph and linocut in colors with hand-coloring, marbling and collage, on T.H. Saunders and Somerset paper, the full sheet.\nall S. various sizes largest S. 74 7/8 x 55 in. (190.2 x 139.7 cm)\nAll signed, dated `88' or `89' and numbered 4/60 in pencil (there were also 10 artist's proofs), published by Waddington Graphics, London, all framed.
Doug & Mike Starn\nUntitled #7 from Structure of Thought\n2000\nMIS and Lysonic inkjet prints on Thai mulberry, gampi and tissue papers with wax, encaustic and varnish.\n27 1/2 x 134 in. (69.9 x 340.4 cm)\nSigned, dated and numbered 3/3 in ink on the reverse of the frame.
Hans Bellmer\nLes jeux de la poupée (The Games of the Doll)\n1949\nParis: Les Éditions Premières, 1949. 15 hand-colored gelatin silver prints plus 2 trimmed, hand-colored gelatin silver prints, all mounted within the artist’s book.\n10 x 7 3/4 x 1/2 in. (25.4 x 19.7 x 1.3 cm)\nSigned in pencil and stamped number '28' on the last page of book. Number 28 from an edition of 136. Text by Paul Éluard.